James Joyce and the Phenomenology of Film

Nonfiction, Entertainment, Film, History & Criticism, Performing Arts, Fiction & Literature, Literary Theory & Criticism
Cover of the book James Joyce and the Phenomenology of Film by Cleo Hanaway-Oakley, OUP Oxford
View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart
Author: Cleo Hanaway-Oakley ISBN: 9780192534187
Publisher: OUP Oxford Publication: June 30, 2017
Imprint: OUP Oxford Language: English
Author: Cleo Hanaway-Oakley
ISBN: 9780192534187
Publisher: OUP Oxford
Publication: June 30, 2017
Imprint: OUP Oxford
Language: English

James Joyce and the Phenomenology of Film reappraises the lines of influence said to exist between Joyce's writing and early cinema and provides an alternative to previous psychoanalytic readings of Joyce and film. Through a compelling combination of historical research and critical analysis, Cleo Hanaway-Oakley demonstrates that Joyce, early film-makers, and phenomenologists (Maurice Merleau-Ponty, in particular) share a common enterprise: all are concerned with showing, rather than explaining, the 'inherence of the self in the world'. Instead of portraying an objective, neutral world, bereft of human input, Joyce, the film-makers, and the phenomenologists present embodied, conscious engagement with the environment and others: they are interested in the world-as-it-is-lived and transcend the seemingly-rigid binaries of seer/seen, subject/object, absorptive/theatrical, and personal/impersonal. This book re-evaluates the history of body- and spectator-focused film theories, placing Merleau-Ponty at the centre of the discussion, and considers the ways in which Joyce may have encountered such theories. In a wealth of close analyses, Joyce's fiction is read alongside the work of early film-makers such as Charlie Chaplin, Georges Méliès, and Mitchell and Kenyon, and in relation to the philosophical dimensions of early-cinematic devices such as the Mutoscope, the stereoscope, and the panorama. By putting Joyce's literary work—Ulysses above all—into dialogue with both early cinema and phenomenology, this book elucidates and enlivens literature, film, and philosophy.

View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart

James Joyce and the Phenomenology of Film reappraises the lines of influence said to exist between Joyce's writing and early cinema and provides an alternative to previous psychoanalytic readings of Joyce and film. Through a compelling combination of historical research and critical analysis, Cleo Hanaway-Oakley demonstrates that Joyce, early film-makers, and phenomenologists (Maurice Merleau-Ponty, in particular) share a common enterprise: all are concerned with showing, rather than explaining, the 'inherence of the self in the world'. Instead of portraying an objective, neutral world, bereft of human input, Joyce, the film-makers, and the phenomenologists present embodied, conscious engagement with the environment and others: they are interested in the world-as-it-is-lived and transcend the seemingly-rigid binaries of seer/seen, subject/object, absorptive/theatrical, and personal/impersonal. This book re-evaluates the history of body- and spectator-focused film theories, placing Merleau-Ponty at the centre of the discussion, and considers the ways in which Joyce may have encountered such theories. In a wealth of close analyses, Joyce's fiction is read alongside the work of early film-makers such as Charlie Chaplin, Georges Méliès, and Mitchell and Kenyon, and in relation to the philosophical dimensions of early-cinematic devices such as the Mutoscope, the stereoscope, and the panorama. By putting Joyce's literary work—Ulysses above all—into dialogue with both early cinema and phenomenology, this book elucidates and enlivens literature, film, and philosophy.

More books from OUP Oxford

Cover of the book A History of Modern Political Thought by Cleo Hanaway-Oakley
Cover of the book A Dictionary of Chinese Literature by Cleo Hanaway-Oakley
Cover of the book Blunder by Cleo Hanaway-Oakley
Cover of the book Journey to the Centre of the Earth by Cleo Hanaway-Oakley
Cover of the book Employment Law Concentrate by Cleo Hanaway-Oakley
Cover of the book The Fortifications of Arkadian City States in the Classical and Hellenistic Periods by Cleo Hanaway-Oakley
Cover of the book William Blackstone by Cleo Hanaway-Oakley
Cover of the book Weapons and the Law of Armed Conflict by Cleo Hanaway-Oakley
Cover of the book Fossils: A Very Short Introduction by Cleo Hanaway-Oakley
Cover of the book I Know What You're Thinking by Cleo Hanaway-Oakley
Cover of the book Philosophical Foundations of European Union Law by Cleo Hanaway-Oakley
Cover of the book The Norman Conquest: A Very Short Introduction by Cleo Hanaway-Oakley
Cover of the book Paediatric Respiratory Medicine by Cleo Hanaway-Oakley
Cover of the book The Governance Report 2015 by Cleo Hanaway-Oakley
Cover of the book An Epistemic Theory of Democracy by Cleo Hanaway-Oakley
We use our own "cookies" and third party cookies to improve services and to see statistical information. By using this website, you agree to our Privacy Policy