Iterations of Loss

Mutilation and Aesthetic Form, al-Shidyaq to Darwish

Fiction & Literature, Literary Theory & Criticism, Asian, Middle Eastern, Jewish
Cover of the book Iterations of Loss by Jeffrey Sacks, Fordham University Press
View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart
Author: Jeffrey Sacks ISBN: 9780823264964
Publisher: Fordham University Press Publication: February 25, 2015
Imprint: Modern Language Initiative Language: English
Author: Jeffrey Sacks
ISBN: 9780823264964
Publisher: Fordham University Press
Publication: February 25, 2015
Imprint: Modern Language Initiative
Language: English

In a series of exquisite close readings of Arabic and Arab Jewish writing, Jeffrey Sacks considers the relation of poetic statement to individual and collective loss, the dispossession of peoples and languages, and singular events of destruction in the nineteenth, twentieth, and twenty-first centuries. Addressing the work of Mahmoud Darwish, Ahmad Faris al-Shidyaq, Elias Khoury, Edmond Amran El Maleh, Shimon Ballas, and Taha Husayn, Sacks demonstrates the reiterated incursion of loss into the time of life—losses that language declines to mourn. Language occurs as the iteration of loss, confounding its domestication in the form of the monolingual state in the Arabic nineteenth century’s fallout.

Reading the late lyric poetry of the Palestinian poet Mahmoud Darwish in relation to the destruction of Palestine in 1948, Sacks reconsiders the nineteenth century Arabic nahda and its relation to colonialism, philology, and the European Enlightenment. He argues that this event is one of catastrophic loss, wherein the past suddenly appears as if it belonged to another time. Reading al-Shidyaq’s al-Saq ‘ala al-saq (1855) and the legacies to which it points in post-1948 writing in Arabic, Hebrew, and French, Sacks underlines a displacement and relocation of the Arabic word adab and its practice, offering a novel contribution to Arabic and Middle East Studies, critical theory, poetics, aesthetics, and comparative literature.

Drawing on writings of Jacques Derrida, Walter Benjamin, Avital Ronell, Judith Butler, Theodor Adorno, and Edward W. Said, Iterations of Loss shows that language interrupts its pacification as an event of aesthetic coherency, to suggest that literary comparison does not privilege a renewed giving of sense but gives place to a new sense of relation.

View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart

In a series of exquisite close readings of Arabic and Arab Jewish writing, Jeffrey Sacks considers the relation of poetic statement to individual and collective loss, the dispossession of peoples and languages, and singular events of destruction in the nineteenth, twentieth, and twenty-first centuries. Addressing the work of Mahmoud Darwish, Ahmad Faris al-Shidyaq, Elias Khoury, Edmond Amran El Maleh, Shimon Ballas, and Taha Husayn, Sacks demonstrates the reiterated incursion of loss into the time of life—losses that language declines to mourn. Language occurs as the iteration of loss, confounding its domestication in the form of the monolingual state in the Arabic nineteenth century’s fallout.

Reading the late lyric poetry of the Palestinian poet Mahmoud Darwish in relation to the destruction of Palestine in 1948, Sacks reconsiders the nineteenth century Arabic nahda and its relation to colonialism, philology, and the European Enlightenment. He argues that this event is one of catastrophic loss, wherein the past suddenly appears as if it belonged to another time. Reading al-Shidyaq’s al-Saq ‘ala al-saq (1855) and the legacies to which it points in post-1948 writing in Arabic, Hebrew, and French, Sacks underlines a displacement and relocation of the Arabic word adab and its practice, offering a novel contribution to Arabic and Middle East Studies, critical theory, poetics, aesthetics, and comparative literature.

Drawing on writings of Jacques Derrida, Walter Benjamin, Avital Ronell, Judith Butler, Theodor Adorno, and Edward W. Said, Iterations of Loss shows that language interrupts its pacification as an event of aesthetic coherency, to suggest that literary comparison does not privilege a renewed giving of sense but gives place to a new sense of relation.

More books from Fordham University Press

Cover of the book The Watchdog Still Barks by Jeffrey Sacks
Cover of the book A Plausible God by Jeffrey Sacks
Cover of the book Indecorous Thinking by Jeffrey Sacks
Cover of the book The Ground of the Image by Jeffrey Sacks
Cover of the book The Diary of Prisoner 17326 by Jeffrey Sacks
Cover of the book Bestiarium Judaicum by Jeffrey Sacks
Cover of the book To Bear Witness by Jeffrey Sacks
Cover of the book The Crane's Walk by Jeffrey Sacks
Cover of the book How We Got to Coney Island by Jeffrey Sacks
Cover of the book Heartbeats in the Muck by Jeffrey Sacks
Cover of the book The Rhetoric of Terror by Jeffrey Sacks
Cover of the book Lacan and the Limits of Language by Jeffrey Sacks
Cover of the book The Future Life of Trauma by Jeffrey Sacks
Cover of the book King Alfonso VIII of Castile by Jeffrey Sacks
Cover of the book Still the Same Hawk by Jeffrey Sacks
We use our own "cookies" and third party cookies to improve services and to see statistical information. By using this website, you agree to our Privacy Policy