Issues in Expressive Arts Curriculum for Early Childhood

Business & Finance, Business Reference, Government & Business, Nonfiction, Science & Nature, Science, Biological Sciences
Cover of the book Issues in Expressive Arts Curriculum for Early Childhood by Craig A. Schiller, CRC Press
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Author: Craig A. Schiller ISBN: 9781351436274
Publisher: CRC Press Publication: September 29, 2017
Imprint: Routledge Language: English
Author: Craig A. Schiller
ISBN: 9781351436274
Publisher: CRC Press
Publication: September 29, 2017
Imprint: Routledge
Language: English

Presents an Australian perspective on the issues in expressive arts in early childhood education by authors who are researching, teaching and actively involved in the arts as theatre directors, painter designers, adjudicators, advisers, actors or arts administrators in community organizations at the national and international level. It constitutes a collective look at the arts and young children. This volume covers a wide spectrum of arts areas, including the roles of the teacher as co-worker, collaborator, guide, facilitator and stage-manager; the tertiary educator in indigenous art, improvizational drama, and movement and dance; and the early childhood adviser in national, non-commercial television production. In addition, there is discussion on the national broadcasting standards required for children's commercial television production in Australia, the value of language and literature in the lives of young children and experimental programmes for theatre companies and symphony orchestras.

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Presents an Australian perspective on the issues in expressive arts in early childhood education by authors who are researching, teaching and actively involved in the arts as theatre directors, painter designers, adjudicators, advisers, actors or arts administrators in community organizations at the national and international level. It constitutes a collective look at the arts and young children. This volume covers a wide spectrum of arts areas, including the roles of the teacher as co-worker, collaborator, guide, facilitator and stage-manager; the tertiary educator in indigenous art, improvizational drama, and movement and dance; and the early childhood adviser in national, non-commercial television production. In addition, there is discussion on the national broadcasting standards required for children's commercial television production in Australia, the value of language and literature in the lives of young children and experimental programmes for theatre companies and symphony orchestras.

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