Inventing the cave man

From Darwin to the Flintstones

Nonfiction, History, Reference, Historiography, Modern, 19th Century, 20th Century
Cover of the book Inventing the cave man by Andrew Andrew Horrall, Manchester University Press
View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart
Author: Andrew Andrew Horrall ISBN: 9781526113870
Publisher: Manchester University Press Publication: May 21, 2017
Imprint: Manchester University Press Language: English
Author: Andrew Andrew Horrall
ISBN: 9781526113870
Publisher: Manchester University Press
Publication: May 21, 2017
Imprint: Manchester University Press
Language: English

Fred Flintstone lived in a sunny Stone Age American suburb, but his ancestors were respectable, middle-class Victorians. They were very amused to think that prehistory was an archaic version of their own world because it suggested that British ideals were eternal. In the 1850s, our prehistoric ancestors were portrayed in satirical cartoons, songs, sketches and plays as ape-like, reflecting the threat posed by evolutionary ideas. By the end of the century, recognisably human cave men inhabited a Stone Age version of late-imperial Britain, sending-up its ideals and institutions. Cave men appeared constantly in parades, civic pageants and costume parties. In the early 1900s American cartoonists and early Hollywood stars like Charlie Chaplin and Buster Keaton adopted and reimagined this very British character, cementing it in global popular culture. Cave men are an appealing way to explore and understand Victorian and Edwardian Britain.

View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart

Fred Flintstone lived in a sunny Stone Age American suburb, but his ancestors were respectable, middle-class Victorians. They were very amused to think that prehistory was an archaic version of their own world because it suggested that British ideals were eternal. In the 1850s, our prehistoric ancestors were portrayed in satirical cartoons, songs, sketches and plays as ape-like, reflecting the threat posed by evolutionary ideas. By the end of the century, recognisably human cave men inhabited a Stone Age version of late-imperial Britain, sending-up its ideals and institutions. Cave men appeared constantly in parades, civic pageants and costume parties. In the early 1900s American cartoonists and early Hollywood stars like Charlie Chaplin and Buster Keaton adopted and reimagined this very British character, cementing it in global popular culture. Cave men are an appealing way to explore and understand Victorian and Edwardian Britain.

More books from Manchester University Press

Cover of the book The right and the recession by Andrew Andrew Horrall
Cover of the book Human agents and social structures by Andrew Andrew Horrall
Cover of the book Using Europe: territorial party strategies in a multi-level system by Andrew Andrew Horrall
Cover of the book The autonomous life? by Andrew Andrew Horrall
Cover of the book Religion and Rights by Andrew Andrew Horrall
Cover of the book Donors, technical assistance and public administration in Kosovo by Andrew Andrew Horrall
Cover of the book Medicine, patients and the law by Andrew Andrew Horrall
Cover of the book Securitising Russia by Andrew Andrew Horrall
Cover of the book Imperial spaces by Andrew Andrew Horrall
Cover of the book The impact of the Troubles on the Republic of Ireland, 1968–79 by Andrew Andrew Horrall
Cover of the book Staging the revolution by Andrew Andrew Horrall
Cover of the book Literary visions of multicultural Ireland by Andrew Andrew Horrall
Cover of the book Domestic fortress by Andrew Andrew Horrall
Cover of the book Scottish cinema by Andrew Andrew Horrall
Cover of the book The European Union and the accommodation of Basque difference in Spain by Andrew Andrew Horrall
We use our own "cookies" and third party cookies to improve services and to see statistical information. By using this website, you agree to our Privacy Policy