Inside the Bloody Chamber

Aspects of Angela Carter

Fiction & Literature, Literary Theory & Criticism, Gothic & Romantic, Biography & Memoir
Cover of the book Inside the Bloody Chamber by Christopher Frayling, Oberon Books
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Author: Christopher Frayling ISBN: 9781783198207
Publisher: Oberon Books Publication: August 20, 2015
Imprint: Oberon Books Language: English
Author: Christopher Frayling
ISBN: 9781783198207
Publisher: Oberon Books
Publication: August 20, 2015
Imprint: Oberon Books
Language: English

I would really like to have had the guts and the energy and so on to be able to write about people having battles with DHSS. But I haven't ... I'm an arty person. Okay, I write overblown, purple, self-indulgent prose. So what...
Alienated is the only way to be, after all.

Since 1990, Angela Carter’s reputation, as writer and thinker, has soared, to the point where her collection of folk and fairy tales for the modern age, The Bloody Chamber, is now a GCSE set text in England, and is taught on most university-level literature courses. There are MA programmes entirely devoted to her writings. Her complete works have been printed and reprinted over the last quarter-century, and films, The Company of Wolves, The Magic Toyshop; and plays, such as Nights at the Circus (Kneehigh), have been derived from them. Her influence on ‘the contemporary Gothic’ is both wide-ranging and profound.

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I would really like to have had the guts and the energy and so on to be able to write about people having battles with DHSS. But I haven't ... I'm an arty person. Okay, I write overblown, purple, self-indulgent prose. So what...
Alienated is the only way to be, after all.

Since 1990, Angela Carter’s reputation, as writer and thinker, has soared, to the point where her collection of folk and fairy tales for the modern age, The Bloody Chamber, is now a GCSE set text in England, and is taught on most university-level literature courses. There are MA programmes entirely devoted to her writings. Her complete works have been printed and reprinted over the last quarter-century, and films, The Company of Wolves, The Magic Toyshop; and plays, such as Nights at the Circus (Kneehigh), have been derived from them. Her influence on ‘the contemporary Gothic’ is both wide-ranging and profound.

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