Indian Country

Essays on Contemporary Native Culture

Nonfiction, Social & Cultural Studies, Social Science, Cultural Studies, Native American Studies, Popular Culture, Anthropology
Cover of the book Indian Country by Gail Guthrie Valaskakis, Wilfrid Laurier University Press
View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart
Author: Gail Guthrie Valaskakis ISBN: 9781554588107
Publisher: Wilfrid Laurier University Press Publication: August 3, 2009
Imprint: Wilfrid Laurier University Press Language: English
Author: Gail Guthrie Valaskakis
ISBN: 9781554588107
Publisher: Wilfrid Laurier University Press
Publication: August 3, 2009
Imprint: Wilfrid Laurier University Press
Language: English

Since first contact, Natives and newcomers have been involved in an increasingly complex struggle over power and identity. Modern “Indian wars” are fought over land and treaty rights, artistic appropriation, and academic analysis, while Native communities struggle among themselves over membership, money, and cultural meaning. In cultural and political arenas across North America, Natives enact and newcomers protest issues of traditionalism, sovereignty, and self-determination. In these struggles over domination and resistance, over different ideologies and Indian identities, neither Natives nor other North Americans recognize the significance of being rooted together in history and culture, or how representations of “Indianness” set them in opposition to each other.

In Indian Country: Essays on Contemporary Native Culture, Gail Guthrie Valaskakis uses a cultural studies approach to offer a unique perspective on Native political struggle and cultural conflict in both Canada and the United States. She reflects on treaty rights and traditionalism, media warriors, Indian princesses, powwow, museums, art, and nationhood. According to Valaskakis, Native and non-Native people construct both who they are and their relations with each other in narratives that circulate through art, anthropological method, cultural appropriation, and Native reappropriation. For Native peoples and Others, untangling the past—personal, political, and cultural—can help to make sense of current struggles over power and identity that define the Native experience today.

Grounded in theory and threaded with Native voices and evocative descriptions of “Indian” experience (including the author’s), the essays interweave historical and political process, personal narrative, and cultural critique. This book is an important contribution to Native studies that will appeal to anyone interested in First Nations’ experience and popular culture.

View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart

Since first contact, Natives and newcomers have been involved in an increasingly complex struggle over power and identity. Modern “Indian wars” are fought over land and treaty rights, artistic appropriation, and academic analysis, while Native communities struggle among themselves over membership, money, and cultural meaning. In cultural and political arenas across North America, Natives enact and newcomers protest issues of traditionalism, sovereignty, and self-determination. In these struggles over domination and resistance, over different ideologies and Indian identities, neither Natives nor other North Americans recognize the significance of being rooted together in history and culture, or how representations of “Indianness” set them in opposition to each other.

In Indian Country: Essays on Contemporary Native Culture, Gail Guthrie Valaskakis uses a cultural studies approach to offer a unique perspective on Native political struggle and cultural conflict in both Canada and the United States. She reflects on treaty rights and traditionalism, media warriors, Indian princesses, powwow, museums, art, and nationhood. According to Valaskakis, Native and non-Native people construct both who they are and their relations with each other in narratives that circulate through art, anthropological method, cultural appropriation, and Native reappropriation. For Native peoples and Others, untangling the past—personal, political, and cultural—can help to make sense of current struggles over power and identity that define the Native experience today.

Grounded in theory and threaded with Native voices and evocative descriptions of “Indian” experience (including the author’s), the essays interweave historical and political process, personal narrative, and cultural critique. This book is an important contribution to Native studies that will appeal to anyone interested in First Nations’ experience and popular culture.

More books from Wilfrid Laurier University Press

Cover of the book Stranger at the Door by Gail Guthrie Valaskakis
Cover of the book Be Good, Sweet Maid by Gail Guthrie Valaskakis
Cover of the book From Civil Strife to Peace Building by Gail Guthrie Valaskakis
Cover of the book The United Church of Canada: A History by Gail Guthrie Valaskakis
Cover of the book The Great War by Gail Guthrie Valaskakis
Cover of the book Africa’s Deadliest Conflict by Gail Guthrie Valaskakis
Cover of the book Reclaiming Canadian Bodies by Gail Guthrie Valaskakis
Cover of the book Reading In by Gail Guthrie Valaskakis
Cover of the book Broad Is the Way by Gail Guthrie Valaskakis
Cover of the book Johanna Krause Twice Persecuted by Gail Guthrie Valaskakis
Cover of the book Lying Down in the Ever-Falling Snow by Gail Guthrie Valaskakis
Cover of the book Kinds of Winter by Gail Guthrie Valaskakis
Cover of the book Syria, Press Framing, and the Responsibility to Protect by Gail Guthrie Valaskakis
Cover of the book The Transcendence of the World: Phenomenological Studies by Gail Guthrie Valaskakis
Cover of the book Afghanistan by Gail Guthrie Valaskakis
We use our own "cookies" and third party cookies to improve services and to see statistical information. By using this website, you agree to our Privacy Policy