Independent Television Production in the UK

From Cottage Industry to Big Business

Nonfiction, Entertainment, Performing Arts, Film
Cover of the book Independent Television Production in the UK by David Lee, Springer International Publishing
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Author: David Lee ISBN: 9783319716701
Publisher: Springer International Publishing Publication: March 7, 2018
Imprint: Palgrave Macmillan Language: English
Author: David Lee
ISBN: 9783319716701
Publisher: Springer International Publishing
Publication: March 7, 2018
Imprint: Palgrave Macmillan
Language: English

This book is the first authoritative account of the UK’s independent television production sector, following the creation of Channel 4 in 1982. It examines the rise of a global industry, increasingly interconnected through format development, distribution, ancillary sales and rights. Drawing on case studies, interviews and policy analysis; the author considers the cultural politics behind the growth of the ‘indies’, the labour conditions for workers in this sector, and some of the key television programmes that have been created within it. Filling an important gap in our understanding, this book constitutes a comprehensive account of this vital cultural industry for students, academics and researchers working in the areas of the cultural and creative industries, media and cultural policy and television studies.

View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart

This book is the first authoritative account of the UK’s independent television production sector, following the creation of Channel 4 in 1982. It examines the rise of a global industry, increasingly interconnected through format development, distribution, ancillary sales and rights. Drawing on case studies, interviews and policy analysis; the author considers the cultural politics behind the growth of the ‘indies’, the labour conditions for workers in this sector, and some of the key television programmes that have been created within it. Filling an important gap in our understanding, this book constitutes a comprehensive account of this vital cultural industry for students, academics and researchers working in the areas of the cultural and creative industries, media and cultural policy and television studies.

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