Independent Cinema

Nonfiction, Entertainment, Film, Reference, History & Criticism, Performing Arts
Cover of the book Independent Cinema by D.K. Holm, Oldcastle Books
View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart
Author: D.K. Holm ISBN: 9781842433867
Publisher: Oldcastle Books Publication: November 1, 2007
Imprint: Kamera Books Language: English
Author: D.K. Holm
ISBN: 9781842433867
Publisher: Oldcastle Books
Publication: November 1, 2007
Imprint: Kamera Books
Language: English

Just what is "independent" cinema? D. K. Holm, columnist for Kevin Smith's website and author of Robert Crumb and Quentin Tarantino, aims to define a term that can be difficult to distinguish from categories such as avant-garde, underground, experimental, or art films. By contrasting studio-era Hollywood with changes in the business since the 1970s and chronicling the rise of companies such as Miramax and New Line, this book shows the birth of a commercial environment in which the new independent cinema could emerge. Detailed assessments and previously unpublished interviews with filmmakers, such as James Mangold (Walk the Line), Jill Sprecher (Clockwatchers), and Guy Maddin (The Saddest Music in the World) show the vastly different roles independent cinema can play in different hands. An accompanying DVD features Paul Cronin's documentary Film as a Subversive Art: Amos Vogel and Cinema 16, about the founder of the New York Film Festival and one of the country's most important film societies.

View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart

Just what is "independent" cinema? D. K. Holm, columnist for Kevin Smith's website and author of Robert Crumb and Quentin Tarantino, aims to define a term that can be difficult to distinguish from categories such as avant-garde, underground, experimental, or art films. By contrasting studio-era Hollywood with changes in the business since the 1970s and chronicling the rise of companies such as Miramax and New Line, this book shows the birth of a commercial environment in which the new independent cinema could emerge. Detailed assessments and previously unpublished interviews with filmmakers, such as James Mangold (Walk the Line), Jill Sprecher (Clockwatchers), and Guy Maddin (The Saddest Music in the World) show the vastly different roles independent cinema can play in different hands. An accompanying DVD features Paul Cronin's documentary Film as a Subversive Art: Amos Vogel and Cinema 16, about the founder of the New York Film Festival and one of the country's most important film societies.

More books from Oldcastle Books

Cover of the book Zip Gun Boogie by D.K. Holm
Cover of the book Take the A-Train by D.K. Holm
Cover of the book The Art of Screenplays by D.K. Holm
Cover of the book WW1 at Sea by D.K. Holm
Cover of the book Horror Films by D.K. Holm
Cover of the book Test of Resolve by D.K. Holm
Cover of the book Murder Ring by D.K. Holm
Cover of the book London Writing by D.K. Holm
Cover of the book The Frozen Woman by D.K. Holm
Cover of the book Writing Diverse Characters for Fiction, TV or Film by D.K. Holm
Cover of the book Inherited Risk by D.K. Holm
Cover of the book Writing & Selling Thriller Screenplays by D.K. Holm
Cover of the book Screenplays by D.K. Holm
Cover of the book All The Empty Places by D.K. Holm
Cover of the book Writing & Selling Romantic Comedy Screenplays by D.K. Holm
We use our own "cookies" and third party cookies to improve services and to see statistical information. By using this website, you agree to our Privacy Policy