Imprisoned
Drawings from Nazi Concentration Camps
Nonfiction, History, Jewish, Holocaust, Social & Cultural Studies, Social Science
| Author: | Arturo Benvenutti | ISBN: | 9781510706682 |
| Publisher: | Skyhorse Publishing | Publication: | January 17, 2017 |
| Imprint: | Skyhorse Publishing | Language: | English |
| Author: | Arturo Benvenutti |
| ISBN: | 9781510706682 |
| Publisher: | Skyhorse Publishing |
| Publication: | January 17, 2017 |
| Imprint: | Skyhorse Publishing |
| Language: | English |
“A visual testament to the horrors of Nazi cruelty . . . Produced by some of the artists who perished in concentration camps” (Kirkus Reviews).
In September 1979, at age fifty-six, writer and artist Arturo Benvenuti fueled up his motor home and set forth on what he knew would be an emotional journey. His plan—his own Viae Crucis—was to meet with as many former prisoners of Nazi-fascist concentration camps as he could. He wanted not only to learn their stories, but to learn from their stories.
He met with dozens of survivors from Auschwitz, Terezín, Mauthausen-Gusen, Buchenwald, Dachau, Gonars, Monigo, Renicci, Banjica, Ravensbrück, Jasenovac, Belsen, and Gurs. Many of these men and women shared their memories with Benvenuti along with artwork they’d created during their internment with pencil, ink, and charcoal.
After four decades of research, Benvenuti presents these original black-and-white pieces in Imprisoned. This stunning collection provides visuals that oftentimes even the most eloquent words and sentences cannot convey.
In his foreword, chemist, writer, and Holocaust survivor Primo Levi highlights the importance of these reproductions, stating, “some have the immediate power of art; all have the raw power of the eye that has seen and that transmits its indignation.”
“A book that even today remains truthful and intense, a challenging work created over the course of several years ‘free of empty words. Free of rhetoric.’” —Il Fatto Quotidiano
“A visual testament to the horrors of Nazi cruelty . . . Produced by some of the artists who perished in concentration camps” (Kirkus Reviews).
In September 1979, at age fifty-six, writer and artist Arturo Benvenuti fueled up his motor home and set forth on what he knew would be an emotional journey. His plan—his own Viae Crucis—was to meet with as many former prisoners of Nazi-fascist concentration camps as he could. He wanted not only to learn their stories, but to learn from their stories.
He met with dozens of survivors from Auschwitz, Terezín, Mauthausen-Gusen, Buchenwald, Dachau, Gonars, Monigo, Renicci, Banjica, Ravensbrück, Jasenovac, Belsen, and Gurs. Many of these men and women shared their memories with Benvenuti along with artwork they’d created during their internment with pencil, ink, and charcoal.
After four decades of research, Benvenuti presents these original black-and-white pieces in Imprisoned. This stunning collection provides visuals that oftentimes even the most eloquent words and sentences cannot convey.
In his foreword, chemist, writer, and Holocaust survivor Primo Levi highlights the importance of these reproductions, stating, “some have the immediate power of art; all have the raw power of the eye that has seen and that transmits its indignation.”
“A book that even today remains truthful and intense, a challenging work created over the course of several years ‘free of empty words. Free of rhetoric.’” —Il Fatto Quotidiano
