Ibbs and Tillett

The Rise and Fall of a Musical Empire

Nonfiction, Entertainment, Music
Cover of the book Ibbs and Tillett by Christopher Fifield, Taylor and Francis
View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart
Author: Christopher Fifield ISBN: 9781351125727
Publisher: Taylor and Francis Publication: November 22, 2017
Imprint: Routledge Language: English
Author: Christopher Fifield
ISBN: 9781351125727
Publisher: Taylor and Francis
Publication: November 22, 2017
Imprint: Routledge
Language: English

For the greater part of the twentieth century, Ibbs and Tillett's concert agency was to the British music industry what Marks and Spencer is to the world of the department store. The roll-call of famous musicians on its books was unmatched, and included such international stars as Clara Butt, Fritz Kreisler, Pablo Casals, Sergei Rachmaninov, Andr�Segovia, Kathleen Ferrier, Myra Hess, Jacqueline du Pr�Clifford Curzon and Vladimir Ashkenazy, to name but a handful. From 1906, the success of the company was due to the dedication of its founders, Robert Leigh Ibbs and John Tillett. After their deaths, the agency was run by the latter's wife, Emmie, who, dubbed the 'Duchess of Wigmore Street', became one of the most formidable yet respected women in British music. The history of this unique institution and its owners is told here for the first time, often through the fascinating letters that were exchanged between the artists themselves and the agency. It begins in the latter years of the 19th century with the concert and theatrical manager Narciso Vert, for whom both Ibbs and Tillett worked until his death in 1905. The story then becomes a history of musical life in twentieth-century Britain, illuminating aspects of the day-to-day management of concerts and festivals, the lives and livelihoods of professional musicians, as well as those who strove to join their ranks through audition or recommendation. The changing profile, and particularly the onset and development of personal management of artists represented by Ibbs and Tillett and their reception in the press, can be viewed as a barometer of musical taste. The demise of the agency in 1990 was indicative of just how much the world of British music had changed by the end of the century, but despite its loss to the profession, the legacy and influence of Ibbs and Tillett has remained a benchmark in today's highly competitive world of artist management and concert promotion, many of whose principal operators began

View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart

For the greater part of the twentieth century, Ibbs and Tillett's concert agency was to the British music industry what Marks and Spencer is to the world of the department store. The roll-call of famous musicians on its books was unmatched, and included such international stars as Clara Butt, Fritz Kreisler, Pablo Casals, Sergei Rachmaninov, Andr�Segovia, Kathleen Ferrier, Myra Hess, Jacqueline du Pr�Clifford Curzon and Vladimir Ashkenazy, to name but a handful. From 1906, the success of the company was due to the dedication of its founders, Robert Leigh Ibbs and John Tillett. After their deaths, the agency was run by the latter's wife, Emmie, who, dubbed the 'Duchess of Wigmore Street', became one of the most formidable yet respected women in British music. The history of this unique institution and its owners is told here for the first time, often through the fascinating letters that were exchanged between the artists themselves and the agency. It begins in the latter years of the 19th century with the concert and theatrical manager Narciso Vert, for whom both Ibbs and Tillett worked until his death in 1905. The story then becomes a history of musical life in twentieth-century Britain, illuminating aspects of the day-to-day management of concerts and festivals, the lives and livelihoods of professional musicians, as well as those who strove to join their ranks through audition or recommendation. The changing profile, and particularly the onset and development of personal management of artists represented by Ibbs and Tillett and their reception in the press, can be viewed as a barometer of musical taste. The demise of the agency in 1990 was indicative of just how much the world of British music had changed by the end of the century, but despite its loss to the profession, the legacy and influence of Ibbs and Tillett has remained a benchmark in today's highly competitive world of artist management and concert promotion, many of whose principal operators began

More books from Taylor and Francis

Cover of the book The Growing Child And Its Problems by Christopher Fifield
Cover of the book War, Women and Children in Ancient Rome (Routledge Revivals) by Christopher Fifield
Cover of the book Peter Abelard and Heloise by Christopher Fifield
Cover of the book Interaction in Action by Christopher Fifield
Cover of the book The Bargain Sector by Christopher Fifield
Cover of the book Modern Italian Grammar Workbook by Christopher Fifield
Cover of the book Theorizing Black Feminisms by Christopher Fifield
Cover of the book Made in Latin America by Christopher Fifield
Cover of the book The Way of the Woman Writer by Christopher Fifield
Cover of the book Teaching and Learning Difficult Histories in International Contexts by Christopher Fifield
Cover of the book Women's Participation In Mexican Political Life by Christopher Fifield
Cover of the book Farmer Innovation in Africa by Christopher Fifield
Cover of the book Teacher Quality and Teacher Education Quality by Christopher Fifield
Cover of the book Theories of Human Development by Christopher Fifield
Cover of the book Debating War by Christopher Fifield
We use our own "cookies" and third party cookies to improve services and to see statistical information. By using this website, you agree to our Privacy Policy