Hwang Byungki: Traditional Music and the Contemporary Composer in the Republic of Korea

Nonfiction, Entertainment, Music, Music Styles, Folk & Traditional
Cover of the book Hwang Byungki: Traditional Music and the Contemporary Composer in the Republic of Korea by Andrew Killick, Taylor and Francis
View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart
Author: Andrew Killick ISBN: 9781351929356
Publisher: Taylor and Francis Publication: December 5, 2016
Imprint: Routledge Language: English
Author: Andrew Killick
ISBN: 9781351929356
Publisher: Taylor and Francis
Publication: December 5, 2016
Imprint: Routledge
Language: English

Anyone who knows anything of Korean music probably knows something of Hwang Byungki. As a composer, performer, scholar, and administrator, Hwang has had an exceptional influence on the world of Korean traditional music for over half a century. During that time, Western-style music (both classical and popular) has become the main form of musical expression for most Koreans, while traditional music has taken on a special role as a powerful emblem of national identity. Through analysis of Hwang's life and works, this book addresses the broader question of traditional music's place in a rapidly modernizing yet intensely nationalistic society, as well as the issues faced by a composer working in an idiom in which the very concept of the individual composer was not traditionally recognized. It explores how new music for traditional instruments can provide a means of negotiating between a local identity and the modern world order. This is the first book in English about an Asian composer who writes primarily for traditional instruments. Following a thematic rather than a rigidly chronological approach, each chapter focuses on a particular area of interest or activity-such as Hwang's unique position in the traditional genre kayagŭm sanjo, his enduring interest in Buddhist culture and a meditative aesthetic, and his adoption of extended techniques and approaches from Western avant-garde music-and includes in-depth analysis of selected works, excerpts from which are provided on an accompanying CD. The book draws on 25 years of personal acquaintance and study with Hwang Byungki as well as experience in playing his music.

View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart

Anyone who knows anything of Korean music probably knows something of Hwang Byungki. As a composer, performer, scholar, and administrator, Hwang has had an exceptional influence on the world of Korean traditional music for over half a century. During that time, Western-style music (both classical and popular) has become the main form of musical expression for most Koreans, while traditional music has taken on a special role as a powerful emblem of national identity. Through analysis of Hwang's life and works, this book addresses the broader question of traditional music's place in a rapidly modernizing yet intensely nationalistic society, as well as the issues faced by a composer working in an idiom in which the very concept of the individual composer was not traditionally recognized. It explores how new music for traditional instruments can provide a means of negotiating between a local identity and the modern world order. This is the first book in English about an Asian composer who writes primarily for traditional instruments. Following a thematic rather than a rigidly chronological approach, each chapter focuses on a particular area of interest or activity-such as Hwang's unique position in the traditional genre kayagŭm sanjo, his enduring interest in Buddhist culture and a meditative aesthetic, and his adoption of extended techniques and approaches from Western avant-garde music-and includes in-depth analysis of selected works, excerpts from which are provided on an accompanying CD. The book draws on 25 years of personal acquaintance and study with Hwang Byungki as well as experience in playing his music.

More books from Taylor and Francis

Cover of the book African Contributions in Shaping the Worldwide Intellectual Property System by Andrew Killick
Cover of the book Museum Origins by Andrew Killick
Cover of the book Fundamentals of Cognition by Andrew Killick
Cover of the book Book of Sides: Original, One-Page Scenes for Actors and Directors by Andrew Killick
Cover of the book A Faculty Guide to Advising and Supervising Graduate Students by Andrew Killick
Cover of the book Learning from Animals? by Andrew Killick
Cover of the book Learning Theory and Behaviour Modification by Andrew Killick
Cover of the book Regionalism in a Changing World by Andrew Killick
Cover of the book The Routledge Handbook of Phonological Theory by Andrew Killick
Cover of the book Simone de Beauvoir by Andrew Killick
Cover of the book South American Free Trade Area or Free Trade Area of the Americas?: Open Regionalism and the Future of Regional Economic Integration in South America by Andrew Killick
Cover of the book Scandinavian Homosexualities by Andrew Killick
Cover of the book The Indian Ocean in World History by Andrew Killick
Cover of the book Electroacoustic Devices: Microphones and Loudspeakers by Andrew Killick
Cover of the book Nationalism and Exclusion of Migrants by Andrew Killick
We use our own "cookies" and third party cookies to improve services and to see statistical information. By using this website, you agree to our Privacy Policy