Hunters and Gamblers

A sham pastor hires a cocaine-sniffing centaur to act as mascot for an Evangelical mega-church’s arena football team; Paul Revere flashes across a revolutionary sky on the back of a sunbird; an ammo-less infantry drummer and a bleeding medic are beat back to a Best Western parking lot in the Battle of Sacramento — such are the situations contained in Ryan Ridge’s Hunters & Gamblers. Winners of the negative lottery, these characters have learned to love to lose everything until there’s nothing left to lose. And the end is desperate, black, drenched in whiskey, but punctuated by poignancy and revelry and revelation. The tales in this lurid, edgy debut illuminate blackness with even blacker humor and a sense of outlandish beauty.