How and Why

A Layman's Look at Causation and Reality

Nonfiction, Religion & Spirituality, Philosophy
Cover of the book How and Why by Michael Trimble, Xlibris US
View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart
Author: Michael Trimble ISBN: 9781477172674
Publisher: Xlibris US Publication: August 29, 2000
Imprint: Xlibris US Language: English
Author: Michael Trimble
ISBN: 9781477172674
Publisher: Xlibris US
Publication: August 29, 2000
Imprint: Xlibris US
Language: English

What does it take to be considered 'real'? A physical presence that can be discerned by touch, taste, sound, sight or smell? Are socially important concepts such as justice or morality 'unreal' because they lack the physical traits that would enable us to touch, taste, hear, see or smell them? Are the distinctions many or us draw between non-fiction and fiction reflective of the manner in which we could confidently sort the 'real' from the 'unreal'? Is the apparent capacity of literature, philosophy and theology to influence our behavior as human beings a recurring instance of the allegedly 'unreal' guiding the 'real'?

If I am prepared to acknowledge that ideas possess an apparent capacity to influence my own behavior, the viability of seperating the 'real' from the 'unreal' based upon physically extended properties is brought into question. If I dismiss this traditional method for assaying the presence of reality, what am I left with? A reality shared by rocks and emotions, objects of aesthetic expression that range from Michelangelo's "David" to Conan Doyle's "Sherlock Holmes, all of which I knowingly encounter and to each of which I respond in one way or another. Does this behavioral acknowledgment on my part play a role in making each of these entities real? Does my behavior have a role to play in the creation of reality?

"How and Why; a layman's look at causation and reality", is a description of how reality is populated and why that population comes about. It is based upon a causal foundation that is characterized by uncertainty. It offers an explanatory paradigm in which novelty and creativity have indispensable roles to play, a paradigm of causal association that can be used to explain but not determine the behavior with which it is affiliated. To be considered 'real', one must possess and exercise the capacity 'to cause', which enables one to substantiate both the 'how' and the 'why' of one's existence as an expression of that singular capacity,

View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart

What does it take to be considered 'real'? A physical presence that can be discerned by touch, taste, sound, sight or smell? Are socially important concepts such as justice or morality 'unreal' because they lack the physical traits that would enable us to touch, taste, hear, see or smell them? Are the distinctions many or us draw between non-fiction and fiction reflective of the manner in which we could confidently sort the 'real' from the 'unreal'? Is the apparent capacity of literature, philosophy and theology to influence our behavior as human beings a recurring instance of the allegedly 'unreal' guiding the 'real'?

If I am prepared to acknowledge that ideas possess an apparent capacity to influence my own behavior, the viability of seperating the 'real' from the 'unreal' based upon physically extended properties is brought into question. If I dismiss this traditional method for assaying the presence of reality, what am I left with? A reality shared by rocks and emotions, objects of aesthetic expression that range from Michelangelo's "David" to Conan Doyle's "Sherlock Holmes, all of which I knowingly encounter and to each of which I respond in one way or another. Does this behavioral acknowledgment on my part play a role in making each of these entities real? Does my behavior have a role to play in the creation of reality?

"How and Why; a layman's look at causation and reality", is a description of how reality is populated and why that population comes about. It is based upon a causal foundation that is characterized by uncertainty. It offers an explanatory paradigm in which novelty and creativity have indispensable roles to play, a paradigm of causal association that can be used to explain but not determine the behavior with which it is affiliated. To be considered 'real', one must possess and exercise the capacity 'to cause', which enables one to substantiate both the 'how' and the 'why' of one's existence as an expression of that singular capacity,

More books from Xlibris US

Cover of the book Poetry: a Little of This and Little of That by Michael Trimble
Cover of the book Poetry on a Personal Note by Michael Trimble
Cover of the book Regenesis by Michael Trimble
Cover of the book Where There's Hope- There's Love by Michael Trimble
Cover of the book Parole at Camp Summerset by Michael Trimble
Cover of the book Letters to My Son by Michael Trimble
Cover of the book A Rose Is a Rose by Michael Trimble
Cover of the book Dance Around the Treasure Box by Michael Trimble
Cover of the book He Gave Me Poetry by Michael Trimble
Cover of the book The Time Before Time by Michael Trimble
Cover of the book Coming Home by Michael Trimble
Cover of the book Blyss in Heaven Illustrated by Michael Trimble
Cover of the book Winning 3 Card Poker by Michael Trimble
Cover of the book And the Pond Ripples by Michael Trimble
Cover of the book Stories from the Living Room by Michael Trimble
We use our own "cookies" and third party cookies to improve services and to see statistical information. By using this website, you agree to our Privacy Policy