Horror Television in the Age of Consumption

Binging on Fear

Nonfiction, Entertainment, Performing Arts, Television, History & Criticism, Social & Cultural Studies, Social Science
Cover of the book Horror Television in the Age of Consumption by , Taylor and Francis
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Author: ISBN: 9781351716277
Publisher: Taylor and Francis Publication: November 15, 2017
Imprint: Routledge Language: English
Author:
ISBN: 9781351716277
Publisher: Taylor and Francis
Publication: November 15, 2017
Imprint: Routledge
Language: English

Characterized as it is by its interest in and engagement with the supernatural, psycho-social formations, the gothic, and issues of identity and subjectivity, horror has long functioned as an allegorical device for interrogations into the seamier side of cultural foundations. This collection, therefore, explores both the cultural landscape of this recent phenomenon and the reasons for these television series’ wide appeal, focusing on televisual aesthetics, technological novelties, the role of adaptation and seriality, questions of gender, identity and subjectivity, and the ways in which the shows’ themes comment on the culture that consumes them. Featuring new work by many of the field’s leading scholars, this collection offers innovative readings and rigorous theoretical analyses of some of our most significant contemporary texts in the genre of Horror Television.

View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart

Characterized as it is by its interest in and engagement with the supernatural, psycho-social formations, the gothic, and issues of identity and subjectivity, horror has long functioned as an allegorical device for interrogations into the seamier side of cultural foundations. This collection, therefore, explores both the cultural landscape of this recent phenomenon and the reasons for these television series’ wide appeal, focusing on televisual aesthetics, technological novelties, the role of adaptation and seriality, questions of gender, identity and subjectivity, and the ways in which the shows’ themes comment on the culture that consumes them. Featuring new work by many of the field’s leading scholars, this collection offers innovative readings and rigorous theoretical analyses of some of our most significant contemporary texts in the genre of Horror Television.

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