Horror Classics

Fiction & Literature, Horror, Science Fiction & Fantasy
Cover of the book Horror Classics by Robert McCammon, Subterranean Press
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Author: Robert McCammon ISBN: 9781596067110
Publisher: Subterranean Press Publication: October 4, 2014
Imprint: Language: English
Author: Robert McCammon
ISBN: 9781596067110
Publisher: Subterranean Press
Publication: October 4, 2014
Imprint:
Language: English

Baal

Baal was Robert McCammon’s first novel, a debut that would lead to some of the finest popular fiction of our time. Written at the age of 25 and published as a paperback original in 1978, it has been out of print for years. This deluxe new edition from Subterranean Press will give McCammon’s many readers — both newcomers and longtime fans — the opportunity to trace the development of an extraordinarily talented man.

The story begins with a horrific rape on the streets of New York City. Nine months after that violation, a most unusual child is born. His name is Jeffrey Harper Raines, but he quickly assumes his true name — and true purpose — as Baal, a new incarnation of the ancient prince of demons. The narrative recounts his lethal progress through the 20th century, which begins with the destruction of his earthly “family.” From there, Jeffrey/Baal moves to a doomed Catholic orphanage, where he unleashes carnage on an unprecedented scale, then out into the wider world, where he embraces his destiny as the Prophet of the Damned, generating a legacy of chaos, violence, and despair.

Baal is very much a young man’s book, raw and brimming with emotion. Listen closely and you’ll hear the voice of a gifted storyteller struggling to be born. In 1980, the career that would encompass Swan Song, Boy’s Life, and The Five still lay waiting several years down the road. This is where it began.

Bethany’s Sin

Bethany’s Sin is a tiny, picturesque village in rural Pennsylvania. Its tree-lined streets, beautiful houses, and manicured exteriors offer—or appear to offer—both peace and a place of refuge. Evan Reid, a man haunted by his memories of the Vietnam War and by a history of viscerally disturbing dreams, comes to the village with his wife and daughter, hoping to make a fresh start after a series of discouraging setbacks. At first, all goes as planned. Evan resumes his career as a freelance writer while his wife, Kay, begins teaching math at a local college. But there are things going on in Bethany’s Sin that no one wants to talk about: unexplained disappearances, houses that stand strangely vacant, half glimpsed figures that appear to be female, the impossible sound of hoof beats in the night. At the center of it all stands a single imposing woman: Dr. Kathryn Drago, a scholar and community leader who holds the key to the mysteries that enshroud the town.

First published as a paperback original in 1980, Bethany’s Sin was Robert R. McCammon’s second novel. Like its predecessor, Baal, it offers a frightening, thoroughly imagined portrait of ancient forces set loose in the modern world. Like Baal, it is both a notable accomplishment in its own right and an invaluable glimpse into the formative years of a major writer, a man whose raw narrative talent was apparent from the start. This deluxe new edition offers McCammon’s many fans the definitive version of a significant early work, a book that foreshadows the later—and larger—accomplishments to come.

View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart

Baal

Baal was Robert McCammon’s first novel, a debut that would lead to some of the finest popular fiction of our time. Written at the age of 25 and published as a paperback original in 1978, it has been out of print for years. This deluxe new edition from Subterranean Press will give McCammon’s many readers — both newcomers and longtime fans — the opportunity to trace the development of an extraordinarily talented man.

The story begins with a horrific rape on the streets of New York City. Nine months after that violation, a most unusual child is born. His name is Jeffrey Harper Raines, but he quickly assumes his true name — and true purpose — as Baal, a new incarnation of the ancient prince of demons. The narrative recounts his lethal progress through the 20th century, which begins with the destruction of his earthly “family.” From there, Jeffrey/Baal moves to a doomed Catholic orphanage, where he unleashes carnage on an unprecedented scale, then out into the wider world, where he embraces his destiny as the Prophet of the Damned, generating a legacy of chaos, violence, and despair.

Baal is very much a young man’s book, raw and brimming with emotion. Listen closely and you’ll hear the voice of a gifted storyteller struggling to be born. In 1980, the career that would encompass Swan Song, Boy’s Life, and The Five still lay waiting several years down the road. This is where it began.

Bethany’s Sin

Bethany’s Sin is a tiny, picturesque village in rural Pennsylvania. Its tree-lined streets, beautiful houses, and manicured exteriors offer—or appear to offer—both peace and a place of refuge. Evan Reid, a man haunted by his memories of the Vietnam War and by a history of viscerally disturbing dreams, comes to the village with his wife and daughter, hoping to make a fresh start after a series of discouraging setbacks. At first, all goes as planned. Evan resumes his career as a freelance writer while his wife, Kay, begins teaching math at a local college. But there are things going on in Bethany’s Sin that no one wants to talk about: unexplained disappearances, houses that stand strangely vacant, half glimpsed figures that appear to be female, the impossible sound of hoof beats in the night. At the center of it all stands a single imposing woman: Dr. Kathryn Drago, a scholar and community leader who holds the key to the mysteries that enshroud the town.

First published as a paperback original in 1980, Bethany’s Sin was Robert R. McCammon’s second novel. Like its predecessor, Baal, it offers a frightening, thoroughly imagined portrait of ancient forces set loose in the modern world. Like Baal, it is both a notable accomplishment in its own right and an invaluable glimpse into the formative years of a major writer, a man whose raw narrative talent was apparent from the start. This deluxe new edition offers McCammon’s many fans the definitive version of a significant early work, a book that foreshadows the later—and larger—accomplishments to come.

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