Henry Fuseli: 152 Master Drawings

Nonfiction, Home & Garden, Crafts & Hobbies, Art Technique, Drawing, Art & Architecture, General Art
Cover of the book Henry Fuseli: 152 Master Drawings by Blagoy Kiroff, Blagoy Kiroff
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Author: Blagoy Kiroff ISBN: 9786050382501
Publisher: Blagoy Kiroff Publication: May 25, 2015
Imprint: Language: English
Author: Blagoy Kiroff
ISBN: 9786050382501
Publisher: Blagoy Kiroff
Publication: May 25, 2015
Imprint:
Language: English

Henry Fuseli is famous for his paintings and drawings of nude figures caught in strained and violent poses suggestive of intense emotion. He also had a affinity for inventing chilling fantasies. His sketches or designs numbered about 800; they have admirable qualities of invention and design, and are frequently superior to his paintings. In his drawings, as in his paintings, his method included deliberately exaggerating the due proportions of the parts and throwing his figures into contorted attitudes. One technique involved setting down random points on a sheet, which then became the extreme points of the various limbs—rather like creating a constellation from the unintentional relations of stars. He rarely drew the figure from life, basing his art on study of the antique and Michelangelo. He produced no landscapes—"Damn Nature! It's always puts me out," was his characteristic exclamation—and painted only two portraits.
Fuseli was largely neglected after his death until his rediscovery in the early 20th century by Expressionist painters and Surrealist artists, who admired his romantic subjectivism, complex symbolism and bold composition.

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Henry Fuseli is famous for his paintings and drawings of nude figures caught in strained and violent poses suggestive of intense emotion. He also had a affinity for inventing chilling fantasies. His sketches or designs numbered about 800; they have admirable qualities of invention and design, and are frequently superior to his paintings. In his drawings, as in his paintings, his method included deliberately exaggerating the due proportions of the parts and throwing his figures into contorted attitudes. One technique involved setting down random points on a sheet, which then became the extreme points of the various limbs—rather like creating a constellation from the unintentional relations of stars. He rarely drew the figure from life, basing his art on study of the antique and Michelangelo. He produced no landscapes—"Damn Nature! It's always puts me out," was his characteristic exclamation—and painted only two portraits.
Fuseli was largely neglected after his death until his rediscovery in the early 20th century by Expressionist painters and Surrealist artists, who admired his romantic subjectivism, complex symbolism and bold composition.

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