Hawking Radiation 4

For further evolution, as an informant of a bundle of conscious experiences I can't identify with 2-dimensionality of cognition, and I suggest that that idea might simply arise from an entangled state with primarily visual sentient-cognitive state, (as also "theory" literally and etymologically means, from Greek verb theaomai, to watch, from which theater etc. are derived) ie. from cognitive entanglement and filtering with space-time sheet of sentience with visual 2D-character (binary mapping into lighted (and colored) pointillistic(!? a la certain impressionit painters) points vs. unlighted/dark points

A conscious body-sense feel of empathy (cf. negentropic entanglement) has very different geometric connotation from visual sensing. I, as an informant of this 'thusly' conscious experience, can best describe this as infinitely(?) dense point at heart chackra, where conscious sensations of "good feel" and "bad feel" locally alternate in various mixtures and intensities, surrounded with field-like extentions, for which the best mathematical analogy so far has been some kind of Dehn-ball. The 'ball' aspect sensing happens in 3-D and/or 4-D, and the ball-like field consists of n-dimensional dimension lines (cf. "worm holes") allowing heart-local "non-local" empathy of good feel / bad feel entanglements also with other sentient beings and conscious informants.

According to most functional ethical theory and practice I'm aware or, the 'good feel' is the norm (universe=god=love) and the 'bad feels' are exceptions to the rule arising from breaking of strong entanglements aka "attachments", such as actual loss of a love, or fear and worry of loss projected to some other space time sheet than 'now'. Informant expressions such as "heart-broken" and "without him/her/it", there's an empty space within me", etc. gain very literal spatio-temporal interpretations. On the other hand, according to critical-ethical theory of global-local, the Universal Source of 'good feel' is already and always inside each heart and each and every point in space-time, and can be also consciously sensed-experienced when filters that cover it are removed.

One further comment, I associate intending with 'focus', and as the word in-tention suggests, the movement has more pointed character than that of planar mapping. If needs that give rise to intentions arise adelically, the most self-suggestive geometry of intentional targeting to fulfill the adelically metabolic need would be ideles. Or just 'id-gesture', as the Latin version of Freud goes. Note that when walking, the intention to not stumble and fall, and when stumbling, step dancing faster than conscious thought, is very carefully focused on the point of balance.