Greek Fragments in Postmodern Frames

Rewriting Tragedy 1970-2005

Fiction & Literature, Literary Theory & Criticism, Drama History & Criticism, Ancient & Classical
Cover of the book Greek Fragments in Postmodern Frames by Eleftheria Ioannidou, OUP Oxford
View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart
Author: Eleftheria Ioannidou ISBN: 9780192508447
Publisher: OUP Oxford Publication: December 22, 2016
Imprint: OUP Oxford Language: English
Author: Eleftheria Ioannidou
ISBN: 9780192508447
Publisher: OUP Oxford
Publication: December 22, 2016
Imprint: OUP Oxford
Language: English

Greek Fragments in Postmodern Frames takes as its subject adaptation of Greek tragedy in the last decades, arguing that rewritings of Greek tragic texts in this period can be used as a tool to uncover a significant dialogue with postmodernism. Despite the large number of staged and written adaptations of Greek tragic texts in recent years, the idea still persists that tragedy is incompatible with postmodernism, with the long-standing debate over the demise of the genre in the modern era undergoing a recent resurgence with the claim that postmodernism precludes tragedy both as an aesthetic form and as a way of perceiving the world. This volume focuses on the adaptation of Greek tragedy between 1970 and 2005 and explores a wide range of adaptations from a variety of different countries: the plays under discussion are characterized by an extended intertextual engagement with their prototype texts - instead of simply adapting the Greek myth, they rewrite the classical text in ways akin to the renegotiation of authorship and textuality proffered by poststructuralist thought. Such adaptive strategies are not only integral to the wider problematics of interrogating the authority of the classical canon and the power structures embedded in its reception, but also have also given rise to the development of peculiar tragic modes and tropes towards the end of the twentieth and into the twenty-first century. In analysing these tropes and demonstrating the ways in which Greek tragic texts have been rethought and rewritten in the adaptions presented, this volume seeks on the one hand to show how tragedy continues to provide a means of articulating contemporary cultural and political preoccupations, while on the other it draws upon a cultural materialist methodology to resist fixed definitions of tragedy and to question established frames and representations.

View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart

Greek Fragments in Postmodern Frames takes as its subject adaptation of Greek tragedy in the last decades, arguing that rewritings of Greek tragic texts in this period can be used as a tool to uncover a significant dialogue with postmodernism. Despite the large number of staged and written adaptations of Greek tragic texts in recent years, the idea still persists that tragedy is incompatible with postmodernism, with the long-standing debate over the demise of the genre in the modern era undergoing a recent resurgence with the claim that postmodernism precludes tragedy both as an aesthetic form and as a way of perceiving the world. This volume focuses on the adaptation of Greek tragedy between 1970 and 2005 and explores a wide range of adaptations from a variety of different countries: the plays under discussion are characterized by an extended intertextual engagement with their prototype texts - instead of simply adapting the Greek myth, they rewrite the classical text in ways akin to the renegotiation of authorship and textuality proffered by poststructuralist thought. Such adaptive strategies are not only integral to the wider problematics of interrogating the authority of the classical canon and the power structures embedded in its reception, but also have also given rise to the development of peculiar tragic modes and tropes towards the end of the twentieth and into the twenty-first century. In analysing these tropes and demonstrating the ways in which Greek tragic texts have been rethought and rewritten in the adaptions presented, this volume seeks on the one hand to show how tragedy continues to provide a means of articulating contemporary cultural and political preoccupations, while on the other it draws upon a cultural materialist methodology to resist fixed definitions of tragedy and to question established frames and representations.

More books from OUP Oxford

Cover of the book Measuring Peace by Eleftheria Ioannidou
Cover of the book The Many Faces of Socioeconomic Change by Eleftheria Ioannidou
Cover of the book Cognitive Assessment for Clinicians by Eleftheria Ioannidou
Cover of the book Arbitration of International Mining Disputes by Eleftheria Ioannidou
Cover of the book Europe Undivided by Eleftheria Ioannidou
Cover of the book A Short Guide to Brain Imaging by Eleftheria Ioannidou
Cover of the book The French Revolution by Eleftheria Ioannidou
Cover of the book Schemes of Arrangement by Eleftheria Ioannidou
Cover of the book The Rift in The Lute by Eleftheria Ioannidou
Cover of the book A Practical Guide to Using Qualitative Research with Randomized Controlled Trials by Eleftheria Ioannidou
Cover of the book The EU Deep Trade Agenda by Eleftheria Ioannidou
Cover of the book Oxford by Eleftheria Ioannidou
Cover of the book Rousseau: A Very Short Introduction by Eleftheria Ioannidou
Cover of the book A Modern Introduction to Quantum Field Theory by Eleftheria Ioannidou
Cover of the book Spectres of False Divinity by Eleftheria Ioannidou
We use our own "cookies" and third party cookies to improve services and to see statistical information. By using this website, you agree to our Privacy Policy