Georg Büchner's Woyzeck

Nonfiction, Entertainment, Drama, Continental European, Fiction & Literature
Cover of the book Georg Büchner's Woyzeck by Karoline Gritzner, Taylor and Francis
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Author: Karoline Gritzner ISBN: 9781317332985
Publisher: Taylor and Francis Publication: January 25, 2019
Imprint: Routledge Language: English
Author: Karoline Gritzner
ISBN: 9781317332985
Publisher: Taylor and Francis
Publication: January 25, 2019
Imprint: Routledge
Language: English

'Everyone's an abyss. You get dizzy if you look down.' -- Woyzeck

Georg Büchner’s Woyzeck was left unfinished at the time of its author’s death in 1837, but the play is now widely recognised as the first ‘modern’ drama in the history of European theatre. Its fragmentary form and critical socio-political content have had a lasting influence on artists, readers and audiences to this day.

The abuse, exploitation, and disenfranchisement that Woyzeck’s titular protagonist endures find their mirror in his own murderous outburst. But beyond that, they also echo in the flux and confusion of the various drafts and versions in which the play has been presented since its emergence.

In this fresh engagement with a modern classic, Gritzner examines the revolutionary dimensions of Büchner’s political and creative practice, as well as modern approaches to the play in performance.

View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart

'Everyone's an abyss. You get dizzy if you look down.' -- Woyzeck

Georg Büchner’s Woyzeck was left unfinished at the time of its author’s death in 1837, but the play is now widely recognised as the first ‘modern’ drama in the history of European theatre. Its fragmentary form and critical socio-political content have had a lasting influence on artists, readers and audiences to this day.

The abuse, exploitation, and disenfranchisement that Woyzeck’s titular protagonist endures find their mirror in his own murderous outburst. But beyond that, they also echo in the flux and confusion of the various drafts and versions in which the play has been presented since its emergence.

In this fresh engagement with a modern classic, Gritzner examines the revolutionary dimensions of Büchner’s political and creative practice, as well as modern approaches to the play in performance.

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