Fruits of the Cross

Passiontide Music Theater in Habsburg Vienna

Nonfiction, Entertainment, Music, Music Styles, Religious, Classical & Opera, Opera
Cover of the book Fruits of the Cross by Robert L. Kendrick, University of California Press
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Author: Robert L. Kendrick ISBN: 9780520969872
Publisher: University of California Press Publication: November 27, 2018
Imprint: University of California Press Language: English
Author: Robert L. Kendrick
ISBN: 9780520969872
Publisher: University of California Press
Publication: November 27, 2018
Imprint: University of California Press
Language: English

In this first detailed study of seventeenth-century sepolcri*—*sacred operas written for court performance on Holy Thursday and Good Friday—Robert L. Kendrick delves into the political and artistic world of Habsburg Vienna, in which music and ritual combined on the stage to produce a thoroughly original art form based on devotion to Christ’s Tomb. Through the use of allegorical characters, the musical dramas ranged from the devotionally intense, to the theologically complex, to the ugly anti-Jewish, but played a unique role in making Passion piety relevant to wider cultural concerns. Fruits of the Cross suggests that understanding the sepolcri has implications for the theatricalization of devotion, the power of allegory, the role of queenship in court ideology, the interplay between visuality and music, and not least the intellectual centrality of music theater to court self-understanding.

View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart

In this first detailed study of seventeenth-century sepolcri*—*sacred operas written for court performance on Holy Thursday and Good Friday—Robert L. Kendrick delves into the political and artistic world of Habsburg Vienna, in which music and ritual combined on the stage to produce a thoroughly original art form based on devotion to Christ’s Tomb. Through the use of allegorical characters, the musical dramas ranged from the devotionally intense, to the theologically complex, to the ugly anti-Jewish, but played a unique role in making Passion piety relevant to wider cultural concerns. Fruits of the Cross suggests that understanding the sepolcri has implications for the theatricalization of devotion, the power of allegory, the role of queenship in court ideology, the interplay between visuality and music, and not least the intellectual centrality of music theater to court self-understanding.

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