From the Arthouse to the Grindhouse

Highbrow and Lowbrow Transgression in Cinema's First Century

Nonfiction, Entertainment, Film, History & Criticism, Performing Arts
Cover of the book From the Arthouse to the Grindhouse by , Scarecrow Press
View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart
Author: ISBN: 9780810876552
Publisher: Scarecrow Press Publication: July 17, 2010
Imprint: Scarecrow Press Language: English
Author:
ISBN: 9780810876552
Publisher: Scarecrow Press
Publication: July 17, 2010
Imprint: Scarecrow Press
Language: English

While there are numerous books on art and exploitation cinema, very few attempt to examine both. Covering the first 100 years of cinematic transgressions, From the Arthouse to the Grindhouse is a collection of numerous essays representing key contributions to overlooked, forgotten, or under-analyzed parts of film history. From cult favorites like Arch Hall Jr. to revered but under-documented marquee names like Lon Chaney, filmmakers both major and minor are covered here.

Starting with a section that pairs exploitation pioneers like Dwain Esper alongside cutting edge auteurs like Erich Von Stroheim, the volume documents the bleeding edge of the high/low cultural divide. Other essays examine the sexual melodramas of Weimer German cinema, explore the concept of Borat as a model for the new standardized cult film, and discuss the films of directors Tod Browning, Pier Pasolini, and Peter Watkins. This volume also contains a section devoted to the idea of "reality" inside and outside the documentary sphere, emphasizing audiences' desire to believe that "this is really happening," whether they're horrified or titillated. Addressing many aspects of "transgression" in cinema, these essays suggest that the distance between the venues and the audiences may not be quite as wide as viewers might imagine.

View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart

While there are numerous books on art and exploitation cinema, very few attempt to examine both. Covering the first 100 years of cinematic transgressions, From the Arthouse to the Grindhouse is a collection of numerous essays representing key contributions to overlooked, forgotten, or under-analyzed parts of film history. From cult favorites like Arch Hall Jr. to revered but under-documented marquee names like Lon Chaney, filmmakers both major and minor are covered here.

Starting with a section that pairs exploitation pioneers like Dwain Esper alongside cutting edge auteurs like Erich Von Stroheim, the volume documents the bleeding edge of the high/low cultural divide. Other essays examine the sexual melodramas of Weimer German cinema, explore the concept of Borat as a model for the new standardized cult film, and discuss the films of directors Tod Browning, Pier Pasolini, and Peter Watkins. This volume also contains a section devoted to the idea of "reality" inside and outside the documentary sphere, emphasizing audiences' desire to believe that "this is really happening," whether they're horrified or titillated. Addressing many aspects of "transgression" in cinema, these essays suggest that the distance between the venues and the audiences may not be quite as wide as viewers might imagine.

More books from Scarecrow Press

Cover of the book Historical Dictionary of the George W. Bush Era by
Cover of the book The A to Z of World War II by
Cover of the book Composers in the Classroom by
Cover of the book Bohuslav Martinu by
Cover of the book Fifty Years of Hemingway Criticism by
Cover of the book The A to Z of Sufism by
Cover of the book Strategic Planning for School Library Media Centers by
Cover of the book Historical Dictionary of New Religious Movements by
Cover of the book A History of New Jersey Libraries, 1997-2012 by
Cover of the book Bernard Herrmann's The Ghost and Mrs. Muir by
Cover of the book Maurice Duruflé, 1902-1986 by
Cover of the book New York Philharmonic by
Cover of the book From Studio to Stage by
Cover of the book Maestros in America by
Cover of the book Cuban Flute Style by
We use our own "cookies" and third party cookies to improve services and to see statistical information. By using this website, you agree to our Privacy Policy