From 1989, or European Music and the Modernist Unconscious

Nonfiction, Health & Well Being, Psychology, Psychoanalysis, Entertainment, Music, Theory & Criticism, History & Criticism, Reference
Cover of the book From 1989, or European Music and the Modernist Unconscious by Seth Brodsky, University of California Press
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Author: Seth Brodsky ISBN: 9780520966505
Publisher: University of California Press Publication: January 24, 2017
Imprint: University of California Press Language: English
Author: Seth Brodsky
ISBN: 9780520966505
Publisher: University of California Press
Publication: January 24, 2017
Imprint: University of California Press
Language: English

What happened to musical modernism? When did it end? Did it end? In this unorthodox Lacanian account of European New Music, Seth Brodsky focuses on the unlikely year 1989, when New Music hardly takes center stage. Instead one finds Rostropovich playing Bach at Checkpoint Charlie; or Bernstein changing “Joy” to “Freedom” in Beethoven’s Ninth; or David Hasselhoff lip-synching “Looking for Freedom” to thousands on New Year’s Eve. But if such spectacles claim to master their historical moment, New Music unconsciously takes the role of analyst. In so doing, it restages earlier scenes of modernism. As world politics witnesses a turning away from the possibility of revolution, musical modernism revolves in place, performing century-old tasks of losing, failing, and beginning again, in preparation for a revolution to come.

View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart

What happened to musical modernism? When did it end? Did it end? In this unorthodox Lacanian account of European New Music, Seth Brodsky focuses on the unlikely year 1989, when New Music hardly takes center stage. Instead one finds Rostropovich playing Bach at Checkpoint Charlie; or Bernstein changing “Joy” to “Freedom” in Beethoven’s Ninth; or David Hasselhoff lip-synching “Looking for Freedom” to thousands on New Year’s Eve. But if such spectacles claim to master their historical moment, New Music unconsciously takes the role of analyst. In so doing, it restages earlier scenes of modernism. As world politics witnesses a turning away from the possibility of revolution, musical modernism revolves in place, performing century-old tasks of losing, failing, and beginning again, in preparation for a revolution to come.

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