Frenzy

Nonfiction, Entertainment, Film, History & Criticism, Performing Arts
Cover of the book Frenzy by Ian Cooper, Auteur
View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart
Author: Ian Cooper ISBN: 9781911325376
Publisher: Auteur Publication: May 1, 2017
Imprint: Auteur Language: English
Author: Ian Cooper
ISBN: 9781911325376
Publisher: Auteur
Publication: May 1, 2017
Imprint: Auteur
Language: English

?Frenzy (1972) was Alfred Hitchcock's penultimate film, and arguably one of his most misunderstood and neglected. Whereas even Psycho (1960) did eventually become respectable – indeed, it's a good contender for the most admired of the Master's films - Frenzy still remains problematic for many. While Raymond De Foery makes his feelings clear in the title of his book, Alfred Hitchcock's Frenzy: The Last Masterpiece, Hitchcock's controversial biographer Donald Spoto calls the film "repulsive" and "a closed and coldly negative vision of human possibility". Frenzy is perhaps Hitchcock's most nakedly autobiographical film and one which represented both a comeback and farewell to the city of his birth. But it started out as a very different kind of project. This Devil's Advocate discusses the evolution of the film, its production, reception, and place in Hitchcock's oeuvre, as well as its status as, the author argues, a key film of 'sleazy Seventies' British cinema.

View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart

?Frenzy (1972) was Alfred Hitchcock's penultimate film, and arguably one of his most misunderstood and neglected. Whereas even Psycho (1960) did eventually become respectable – indeed, it's a good contender for the most admired of the Master's films - Frenzy still remains problematic for many. While Raymond De Foery makes his feelings clear in the title of his book, Alfred Hitchcock's Frenzy: The Last Masterpiece, Hitchcock's controversial biographer Donald Spoto calls the film "repulsive" and "a closed and coldly negative vision of human possibility". Frenzy is perhaps Hitchcock's most nakedly autobiographical film and one which represented both a comeback and farewell to the city of his birth. But it started out as a very different kind of project. This Devil's Advocate discusses the evolution of the film, its production, reception, and place in Hitchcock's oeuvre, as well as its status as, the author argues, a key film of 'sleazy Seventies' British cinema.

More books from Auteur

Cover of the book RoboCop by Ian Cooper
Cover of the book Don't Look Now by Ian Cooper
Cover of the book Halloween by Ian Cooper
Cover of the book The Silence of the Lambs by Ian Cooper
Cover of the book Twin Peaks: Fire Walk with Me by Ian Cooper
Cover of the book SAW by Ian Cooper
Cover of the book Etalonnons nos entreprises by Ian Cooper
Cover of the book The Films of Terence Fisher by Ian Cooper
Cover of the book Studying Early and Silent Cinema by Ian Cooper
Cover of the book Ju-On: The Grudge by Ian Cooper
Cover of the book Dead of Night by Ian Cooper
Cover of the book Au couchant de la monarchie by Ian Cooper
Cover of the book The Descent by Ian Cooper
Cover of the book Blade Runner by Ian Cooper
Cover of the book Studying Fight Club by Ian Cooper
We use our own "cookies" and third party cookies to improve services and to see statistical information. By using this website, you agree to our Privacy Policy