Framing Africa

Portrayals of a Continent in Contemporary Mainstream Cinema

Nonfiction, Entertainment, Film, History & Criticism, Performing Arts, Social & Cultural Studies, Social Science, Anthropology
Cover of the book Framing Africa by , Berghahn Books
View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart
Author: ISBN: 9781782380740
Publisher: Berghahn Books Publication: June 1, 2013
Imprint: Berghahn Books Language: English
Author:
ISBN: 9781782380740
Publisher: Berghahn Books
Publication: June 1, 2013
Imprint: Berghahn Books
Language: English

The first decade of the 21st century has seen a proliferation of North American and European films that focus on African politics and society. While once the continent was the setting for narratives of heroic ascendancy over self (The African Queen, 1951; The Snows of Kilimanjaro, 1952), military odds (Zulu, 1964; Khartoum, 1966) and nature (Mogambo, 1953; *Hatari!,*1962; Born Free, 1966; The Last Safari, 1967), this new wave of films portrays a continent blighted by transnational corruption (The Constant Gardener, 2005), genocide (Hotel Rwanda, 2004; Shooting Dogs, 2006), ‘failed states’ (Black Hawk Down, 2001), illicit transnational commerce (Blood Diamond, 2006) and the unfulfilled promises of decolonization (The Last King of Scotland, 2006). Conversely, where once Apartheid South Africa was a brutal foil for the romance of East Africa (Cry Freedom, 1987; A Dry White Season, 1989), South Africa now serves as a redeemed contrast to the rest of the continent (Red Dust, 2004; Invictus, 2009). Writing from the perspective of long-term engagement with the contexts in which the films are set, anthropologists and historians reflect on these films and assess the contemporary place Africa holds in the North American and European cinematic imagination.

View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart

The first decade of the 21st century has seen a proliferation of North American and European films that focus on African politics and society. While once the continent was the setting for narratives of heroic ascendancy over self (The African Queen, 1951; The Snows of Kilimanjaro, 1952), military odds (Zulu, 1964; Khartoum, 1966) and nature (Mogambo, 1953; *Hatari!,*1962; Born Free, 1966; The Last Safari, 1967), this new wave of films portrays a continent blighted by transnational corruption (The Constant Gardener, 2005), genocide (Hotel Rwanda, 2004; Shooting Dogs, 2006), ‘failed states’ (Black Hawk Down, 2001), illicit transnational commerce (Blood Diamond, 2006) and the unfulfilled promises of decolonization (The Last King of Scotland, 2006). Conversely, where once Apartheid South Africa was a brutal foil for the romance of East Africa (Cry Freedom, 1987; A Dry White Season, 1989), South Africa now serves as a redeemed contrast to the rest of the continent (Red Dust, 2004; Invictus, 2009). Writing from the perspective of long-term engagement with the contexts in which the films are set, anthropologists and historians reflect on these films and assess the contemporary place Africa holds in the North American and European cinematic imagination.

More books from Berghahn Books

Cover of the book Sacred Places, Emerging Spaces by
Cover of the book Launching the Grand Coalition by
Cover of the book What We Now Know About Race and Ethnicity by
Cover of the book Traveling Cultures and Plants by
Cover of the book An Improbable War? by
Cover of the book Protest in Hitler's “National Community” by
Cover of the book Dictatorship as Experience by
Cover of the book Final Sale in Berlin by
Cover of the book Banned in Berlin by
Cover of the book Democracy Struggles by
Cover of the book Transforming Study Abroad by
Cover of the book Mad Mädchen by
Cover of the book Cultural Diversity in Russian Cities by
Cover of the book The French Right Between the Wars by
Cover of the book Children of the Camp by
We use our own "cookies" and third party cookies to improve services and to see statistical information. By using this website, you agree to our Privacy Policy