For the Love of Beauty

Art History and the Moral Foundations of Aesthetic Judgment

Nonfiction, Art & Architecture, General Art, Criticism, Religion & Spirituality, Philosophy
Cover of the book For the Love of Beauty by Arthur Pontynen, Taylor and Francis
View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart
Author: Arthur Pontynen ISBN: 9781351519632
Publisher: Taylor and Francis Publication: July 5, 2017
Imprint: Routledge Language: English
Author: Arthur Pontynen
ISBN: 9781351519632
Publisher: Taylor and Francis
Publication: July 5, 2017
Imprint: Routledge
Language: English

For most of the last century the methodology of art history has followed a positivist approach, emphasizing form and style, fact and history as the means of studying works of art. By contrast the philosophical pursuit of truth, once central to the fine arts and humanities has largely been abandoned. In For The Love of Beauty, Arthur Pontynen offers a searching and ambitious critique of modern aesthetic practice that aims to restore the pursuit of the knowledge of reality--Being--to its rightful place.Pontynen begins by addressing the question of why the pursuit of truth (be it called Dao, Dharma, God, Logos, Ideal, etc.) is no longer acceptable in academic circles even though it has been intrinsic to the purpose of art at most times and in most cultures. Lacking the pursuit of truth, of some degree of knowledge of what is true and good, the humanities necessarily lack intellectual and cultural grounding and purpose. Fields of study such as philosophy, music, art, and history are therefore trivialized and brutalized. Pontynen's focus on the study of the visual arts details the how the denial of purpose and quality in modernist and postmodernist aesthetics has denied art any possibility of transcending entertainment, therapy, or propaganda.In place of the established narratives, Pontynen offers a counter-narrative based on a cross-cultural pursuit of the good, the true, and the beautiful. He recognizes that substantively different cultural traditions exist and that the truth claims of each may be valid in whole or in part. He shows how the history of art parallels the intellectual history of Western culture and how these parallels affect both aesthetics and ethics. Pontynen engages with those elements of modernist and postmodernist thought that might be true. His purpose is not simply to deny their validity but to engage a viewpoint that does not privilege the notion of a purposeless cosmos. For the Love of Beauty will be of interest

View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart

For most of the last century the methodology of art history has followed a positivist approach, emphasizing form and style, fact and history as the means of studying works of art. By contrast the philosophical pursuit of truth, once central to the fine arts and humanities has largely been abandoned. In For The Love of Beauty, Arthur Pontynen offers a searching and ambitious critique of modern aesthetic practice that aims to restore the pursuit of the knowledge of reality--Being--to its rightful place.Pontynen begins by addressing the question of why the pursuit of truth (be it called Dao, Dharma, God, Logos, Ideal, etc.) is no longer acceptable in academic circles even though it has been intrinsic to the purpose of art at most times and in most cultures. Lacking the pursuit of truth, of some degree of knowledge of what is true and good, the humanities necessarily lack intellectual and cultural grounding and purpose. Fields of study such as philosophy, music, art, and history are therefore trivialized and brutalized. Pontynen's focus on the study of the visual arts details the how the denial of purpose and quality in modernist and postmodernist aesthetics has denied art any possibility of transcending entertainment, therapy, or propaganda.In place of the established narratives, Pontynen offers a counter-narrative based on a cross-cultural pursuit of the good, the true, and the beautiful. He recognizes that substantively different cultural traditions exist and that the truth claims of each may be valid in whole or in part. He shows how the history of art parallels the intellectual history of Western culture and how these parallels affect both aesthetics and ethics. Pontynen engages with those elements of modernist and postmodernist thought that might be true. His purpose is not simply to deny their validity but to engage a viewpoint that does not privilege the notion of a purposeless cosmos. For the Love of Beauty will be of interest

More books from Taylor and Francis

Cover of the book From Knowledge to Intelligence by Arthur Pontynen
Cover of the book As Heard on TV: Popular Music in Advertising by Arthur Pontynen
Cover of the book Evolutions of Jewish Character in British Fiction by Arthur Pontynen
Cover of the book A Hieroglyphic Vocabulary to the Theban Recension of the Book of the Dead (Routledge Revivals) by Arthur Pontynen
Cover of the book Melanie Klein Revisited by Arthur Pontynen
Cover of the book Imagining the Pagan Past by Arthur Pontynen
Cover of the book Feminisms in Social Work Research by Arthur Pontynen
Cover of the book Justice by Arthur Pontynen
Cover of the book The Quest for Tejano Identity in San Antonio, Texas, 1913-2000 by Arthur Pontynen
Cover of the book The Economic Analysis of Public Policy by Arthur Pontynen
Cover of the book Art & Beauty by Arthur Pontynen
Cover of the book The Natural Family Where it Belongs by Arthur Pontynen
Cover of the book Barriers to Inclusion by Arthur Pontynen
Cover of the book Principles and Practices for Response in Second Language Writing by Arthur Pontynen
Cover of the book Self-help for Trauma Therapists by Arthur Pontynen
We use our own "cookies" and third party cookies to improve services and to see statistical information. By using this website, you agree to our Privacy Policy