Filmosophy - About Framptons Radically New Way of Understanding Cinema

About Framptons Radically New Way of Understanding Cinema

Nonfiction, Entertainment, Performing Arts, Film
Cover of the book Filmosophy - About Framptons Radically New Way of Understanding Cinema by Martin Thiele, GRIN Publishing
View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart
Author: Martin Thiele ISBN: 9783640335558
Publisher: GRIN Publishing Publication: May 29, 2009
Imprint: GRIN Publishing Language: English
Author: Martin Thiele
ISBN: 9783640335558
Publisher: GRIN Publishing
Publication: May 29, 2009
Imprint: GRIN Publishing
Language: English

Seminar paper from the year 2009 in the subject Film Science, grade: 1,3, University of Potsdam, course: Film + Philosophy = Filmosophy, language: English, abstract: Because the times in film production change, a change in reception is also necessary. In Frampton's theory, film is no longer a photographic reproduction of a past performance. This is not simply be-cause nowadays there are countless assumed realistic film images which were never shot as they are presented later. Frampton concedes that film uses material of the real world but finally - and hence his theory is one of reception - this material becomes its own world with its own processes and even its own thoughts. To draw a consistent picture of his theory he developed a kind of unique language to speak about film.

View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart

Seminar paper from the year 2009 in the subject Film Science, grade: 1,3, University of Potsdam, course: Film + Philosophy = Filmosophy, language: English, abstract: Because the times in film production change, a change in reception is also necessary. In Frampton's theory, film is no longer a photographic reproduction of a past performance. This is not simply be-cause nowadays there are countless assumed realistic film images which were never shot as they are presented later. Frampton concedes that film uses material of the real world but finally - and hence his theory is one of reception - this material becomes its own world with its own processes and even its own thoughts. To draw a consistent picture of his theory he developed a kind of unique language to speak about film.

More books from GRIN Publishing

Cover of the book Japan: Health-, Elderly- and Child- Care in comparison to the German system: based on a case study by Martin Thiele
Cover of the book Purchasing Power Parity - its theoretical perspective and empirical evidence by Martin Thiele
Cover of the book 'Boundaryless' career - Implications for individual and organisational learning by Martin Thiele
Cover of the book The Role of Environment in George Stewarts 'Earth Abides' by Martin Thiele
Cover of the book The Function of Tradition in 'Everyday Use' by Alice Walker and 'Yellow Woman' by Leslie Marmon Silko by Martin Thiele
Cover of the book Structuration and Convergence Theory by Martin Thiele
Cover of the book Ökonomischer Abstieg der USA und Aufstieg Chinas by Martin Thiele
Cover of the book Una pequeña teoría de la irracionalidad by Martin Thiele
Cover of the book An Analysis of Post 9/11 Presidential Rhetoric - Lead-up to the Iraq War by Martin Thiele
Cover of the book The Corporate Tax System in the United States by Martin Thiele
Cover of the book Why has alliance formation as a strategy become so important to airline companies? by Martin Thiele
Cover of the book The Evolution of the Social Contract by Brian Skymrs by Martin Thiele
Cover of the book Introducing the Dandy to the New World - Oscar Wilde visits America, January 2nd 1882 - December 27th 1882 by Martin Thiele
Cover of the book The Aspect of Ignorance in Golding's Lord of the Flies by Martin Thiele
Cover of the book Capitalism vs. environmental sustainability by Martin Thiele
We use our own "cookies" and third party cookies to improve services and to see statistical information. By using this website, you agree to our Privacy Policy