Filmosophy - About Framptons Radically New Way of Understanding Cinema

About Framptons Radically New Way of Understanding Cinema

Nonfiction, Entertainment, Performing Arts, Film
Cover of the book Filmosophy - About Framptons Radically New Way of Understanding Cinema by Martin Thiele, GRIN Publishing
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Author: Martin Thiele ISBN: 9783640335558
Publisher: GRIN Publishing Publication: May 29, 2009
Imprint: GRIN Publishing Language: English
Author: Martin Thiele
ISBN: 9783640335558
Publisher: GRIN Publishing
Publication: May 29, 2009
Imprint: GRIN Publishing
Language: English

Seminar paper from the year 2009 in the subject Film Science, grade: 1,3, University of Potsdam, course: Film + Philosophy = Filmosophy, language: English, abstract: Because the times in film production change, a change in reception is also necessary. In Frampton's theory, film is no longer a photographic reproduction of a past performance. This is not simply be-cause nowadays there are countless assumed realistic film images which were never shot as they are presented later. Frampton concedes that film uses material of the real world but finally - and hence his theory is one of reception - this material becomes its own world with its own processes and even its own thoughts. To draw a consistent picture of his theory he developed a kind of unique language to speak about film.

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Seminar paper from the year 2009 in the subject Film Science, grade: 1,3, University of Potsdam, course: Film + Philosophy = Filmosophy, language: English, abstract: Because the times in film production change, a change in reception is also necessary. In Frampton's theory, film is no longer a photographic reproduction of a past performance. This is not simply be-cause nowadays there are countless assumed realistic film images which were never shot as they are presented later. Frampton concedes that film uses material of the real world but finally - and hence his theory is one of reception - this material becomes its own world with its own processes and even its own thoughts. To draw a consistent picture of his theory he developed a kind of unique language to speak about film.

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