Film Music: A Very Short Introduction

Nonfiction, Entertainment, Film, History & Criticism, Performing Arts
Cover of the book Film Music: A Very Short Introduction by Kathryn Kalinak, Oxford University Press
View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart
Author: Kathryn Kalinak ISBN: 9780199746040
Publisher: Oxford University Press Publication: March 11, 2010
Imprint: Oxford University Press Language: English
Author: Kathryn Kalinak
ISBN: 9780199746040
Publisher: Oxford University Press
Publication: March 11, 2010
Imprint: Oxford University Press
Language: English

Film music is as old as cinema itself. Years before synchronized sound became the norm, projected moving images were shown to musical accompaniment, whether performed by a lone piano player or a hundred-piece orchestra. Today film music has become its own industry, indispensable to the marketability of movies around the world. Film Music: A Very Short Introduction is a compact, lucid, and thoroughly engaging overview written by one of the leading authorities on the subject. After opening with a fascinating analysis of the music from a key sequence in Quentin Tarantino's Reservoir Dogs, Kathryn Kalinak introduces readers not only to important composers and musical styles but also to modern theoretical concepts about how and why film music works. Throughout the book she embraces a global perspective, examining film music in Asia and the Middle East as well as in Europe and the United States. Key collaborations between directors and composers--Alfred Hitchcock and Bernard Herrmann, Akira Kurosawa and Fumio Hayasaka, Federico Fellini and Nino Rota, to name only a few--come under scrutiny, as do the oft-neglected practices of the silent film era. She also explores differences between original film scores and compilation soundtracks that cull music from pre-existing sources. As Kalinak points out, film music can do many things, from establishing mood and setting to clarifying plot points and creating emotions that are only dimly realized in the images. This book illuminates the many ways it accomplishes those tasks and will have its readers thinking a bit more deeply and critically the next time they sit in a darkened movie theater and music suddenly swells as the action unfolds onscreen. About the Series: Combining authority with wit, accessibility, and style, Very Short Introductions offer an introduction to some of life's most interesting topics. Written by experts for the newcomer, they demonstrate the finest contemporary thinking about the central problems and issues in hundreds of key topics, from philosophy to Freud, quantum theory to Islam.

View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart

Film music is as old as cinema itself. Years before synchronized sound became the norm, projected moving images were shown to musical accompaniment, whether performed by a lone piano player or a hundred-piece orchestra. Today film music has become its own industry, indispensable to the marketability of movies around the world. Film Music: A Very Short Introduction is a compact, lucid, and thoroughly engaging overview written by one of the leading authorities on the subject. After opening with a fascinating analysis of the music from a key sequence in Quentin Tarantino's Reservoir Dogs, Kathryn Kalinak introduces readers not only to important composers and musical styles but also to modern theoretical concepts about how and why film music works. Throughout the book she embraces a global perspective, examining film music in Asia and the Middle East as well as in Europe and the United States. Key collaborations between directors and composers--Alfred Hitchcock and Bernard Herrmann, Akira Kurosawa and Fumio Hayasaka, Federico Fellini and Nino Rota, to name only a few--come under scrutiny, as do the oft-neglected practices of the silent film era. She also explores differences between original film scores and compilation soundtracks that cull music from pre-existing sources. As Kalinak points out, film music can do many things, from establishing mood and setting to clarifying plot points and creating emotions that are only dimly realized in the images. This book illuminates the many ways it accomplishes those tasks and will have its readers thinking a bit more deeply and critically the next time they sit in a darkened movie theater and music suddenly swells as the action unfolds onscreen. About the Series: Combining authority with wit, accessibility, and style, Very Short Introductions offer an introduction to some of life's most interesting topics. Written by experts for the newcomer, they demonstrate the finest contemporary thinking about the central problems and issues in hundreds of key topics, from philosophy to Freud, quantum theory to Islam.

More books from Oxford University Press

Cover of the book PTL by Kathryn Kalinak
Cover of the book The Guardians by Kathryn Kalinak
Cover of the book Monitoring and Predicting Agricultural Drought by Kathryn Kalinak
Cover of the book The Oxford History of Christian Worship by Kathryn Kalinak
Cover of the book The American Revolution: A Very Short Introduction by Kathryn Kalinak
Cover of the book The Tibetan Assimilation of Buddhism by Kathryn Kalinak
Cover of the book Bodies of Evidence : The Practice of Queer Oral History by Kathryn Kalinak
Cover of the book Music Direction for the Stage by Kathryn Kalinak
Cover of the book Knowing Emotions by Kathryn Kalinak
Cover of the book The Hope, Hype, and Reality of Genetic Engineering by Kathryn Kalinak
Cover of the book Making Crime Pay by Kathryn Kalinak
Cover of the book Inner Sound by Kathryn Kalinak
Cover of the book Social Work and Social Development by Kathryn Kalinak
Cover of the book Contending with Stanley Cavell by Kathryn Kalinak
Cover of the book The Life of Prayer in a World of Science by Kathryn Kalinak
We use our own "cookies" and third party cookies to improve services and to see statistical information. By using this website, you agree to our Privacy Policy