Film and the Ethical Imagination

Nonfiction, Entertainment, Performing Arts, Film
Cover of the book Film and the Ethical Imagination by Asbjorn Gronstad, Palgrave Macmillan UK
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Author: Asbjorn Gronstad ISBN: 9781137583741
Publisher: Palgrave Macmillan UK Publication: November 24, 2016
Imprint: Palgrave Macmillan Language: English
Author: Asbjorn Gronstad
ISBN: 9781137583741
Publisher: Palgrave Macmillan UK
Publication: November 24, 2016
Imprint: Palgrave Macmillan
Language: English

This book provides a comprehensive, critical overview of the turn to ethics in literature, film, and visual culture. It discusses the concept of a biovisual ethics, offering a new theory of the relation between film and ethics based on the premise that images are capable of generating their own ethical content. This ethics operates hermeneutically and materializes in cinema’s unique power to show us other modes of being. The author considers a wealth of contemporary art films and documentaries that embody ethical issues through the very form of the text. The ethical imagination generated by films such as The Nine Muses, Post Tenebras Lux, Amour, and Nostalgia For the Light is crucially defined by openness, uncertainty, opacity, and the refusal of hegemonic practices of visual representation.

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This book provides a comprehensive, critical overview of the turn to ethics in literature, film, and visual culture. It discusses the concept of a biovisual ethics, offering a new theory of the relation between film and ethics based on the premise that images are capable of generating their own ethical content. This ethics operates hermeneutically and materializes in cinema’s unique power to show us other modes of being. The author considers a wealth of contemporary art films and documentaries that embody ethical issues through the very form of the text. The ethical imagination generated by films such as The Nine Muses, Post Tenebras Lux, Amour, and Nostalgia For the Light is crucially defined by openness, uncertainty, opacity, and the refusal of hegemonic practices of visual representation.

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