Fields of Vision

Essays on the Travels of William Bartram

Nonfiction, History, Americas, Native American, United States
Cover of the book Fields of Vision by Stephanie C. Haas, Mark Williams, Edward J. Cashin, Robert S. Davis, Arlene Fradkin, Mallory O'Connor, Jerald T. Milanich, Craig T. Sheldon Jr, Kent D. Perkins, Michael Bond, Burt Kornegay, Robert J. Malone, Stephanie Volmer, Marc C. Minno, Maria Minno, Joel T. Fry, University of Alabama Press
View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart
Author: Stephanie C. Haas, Mark Williams, Edward J. Cashin, Robert S. Davis, Arlene Fradkin, Mallory O'Connor, Jerald T. Milanich, Craig T. Sheldon Jr, Kent D. Perkins, Michael Bond, Burt Kornegay, Robert J. Malone, Stephanie Volmer, Marc C. Minno, Maria Minno, Joel T. Fry ISBN: 9780817383244
Publisher: University of Alabama Press Publication: December 20, 2009
Imprint: University Alabama Press Language: English
Author: Stephanie C. Haas, Mark Williams, Edward J. Cashin, Robert S. Davis, Arlene Fradkin, Mallory O'Connor, Jerald T. Milanich, Craig T. Sheldon Jr, Kent D. Perkins, Michael Bond, Burt Kornegay, Robert J. Malone, Stephanie Volmer, Marc C. Minno, Maria Minno, Joel T. Fry
ISBN: 9780817383244
Publisher: University of Alabama Press
Publication: December 20, 2009
Imprint: University Alabama Press
Language: English

 A classic work of history, ethnography, and botany, and an examination of the life and environs of the 18th-century south.

William Bartram was a naturalist, artist, and author of Travels through North and South Carolina, Georgia, East and West Florida, the Cherokee Country, the ExtensiveTerritories of the Muscogulees, or Creek Confederacy, and the Country of the Choctaws. The book, based on his journey across the South, reflects a remarkable coming of age. In 1773, Bartram departed his family home near Philadelphia, Pennsylvania, as a British colonist; in 1777, he returned as a citizen of an emerging nation of the United States. The account of his journey, published in 1791, established a national benchmark for nature writing and remains a classic of American literature, scientific writing, and history. Brought up as a Quaker, Bartram portrayed nature through a poetic lens of experience as well as scientific observation, and his work provides a window on 18th-century southern landscapes. Particularly enlightening and appealing are Bartram’s detailed accounts of Seminole, Creek, and Cherokee peoples.

 

The Bartram Trail Conference fosters Bartram scholarship through biennial conferences held along the route of his travels. This richly illustrated volume of essays, a selection from recent conferences, brings together scholarly contributions from history, archaeology, and botany. The authors discuss the political and personal context of his travels; species of interest to Bartram; Creek architecture; foodways in the 18th-century south, particularly those of Indian groups that Bartram encountered; rediscovery of a lost Bartram manuscript; new techniques for charting Bartram’s trail and imaging his collections; and a fine analysis of Bartram’s place in contemporary environmental issues.

View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart

 A classic work of history, ethnography, and botany, and an examination of the life and environs of the 18th-century south.

William Bartram was a naturalist, artist, and author of Travels through North and South Carolina, Georgia, East and West Florida, the Cherokee Country, the ExtensiveTerritories of the Muscogulees, or Creek Confederacy, and the Country of the Choctaws. The book, based on his journey across the South, reflects a remarkable coming of age. In 1773, Bartram departed his family home near Philadelphia, Pennsylvania, as a British colonist; in 1777, he returned as a citizen of an emerging nation of the United States. The account of his journey, published in 1791, established a national benchmark for nature writing and remains a classic of American literature, scientific writing, and history. Brought up as a Quaker, Bartram portrayed nature through a poetic lens of experience as well as scientific observation, and his work provides a window on 18th-century southern landscapes. Particularly enlightening and appealing are Bartram’s detailed accounts of Seminole, Creek, and Cherokee peoples.

 

The Bartram Trail Conference fosters Bartram scholarship through biennial conferences held along the route of his travels. This richly illustrated volume of essays, a selection from recent conferences, brings together scholarly contributions from history, archaeology, and botany. The authors discuss the political and personal context of his travels; species of interest to Bartram; Creek architecture; foodways in the 18th-century south, particularly those of Indian groups that Bartram encountered; rediscovery of a lost Bartram manuscript; new techniques for charting Bartram’s trail and imaging his collections; and a fine analysis of Bartram’s place in contemporary environmental issues.

More books from University of Alabama Press

Cover of the book Mark Twain and Money by Stephanie C. Haas, Mark Williams, Edward J. Cashin, Robert S. Davis, Arlene Fradkin, Mallory O'Connor, Jerald T. Milanich, Craig T. Sheldon Jr, Kent D. Perkins, Michael Bond, Burt Kornegay, Robert J. Malone, Stephanie Volmer, Marc C. Minno, Maria Minno, Joel T. Fry
Cover of the book Desert Rose by Stephanie C. Haas, Mark Williams, Edward J. Cashin, Robert S. Davis, Arlene Fradkin, Mallory O'Connor, Jerald T. Milanich, Craig T. Sheldon Jr, Kent D. Perkins, Michael Bond, Burt Kornegay, Robert J. Malone, Stephanie Volmer, Marc C. Minno, Maria Minno, Joel T. Fry
Cover of the book Peripheral Visions by Stephanie C. Haas, Mark Williams, Edward J. Cashin, Robert S. Davis, Arlene Fradkin, Mallory O'Connor, Jerald T. Milanich, Craig T. Sheldon Jr, Kent D. Perkins, Michael Bond, Burt Kornegay, Robert J. Malone, Stephanie Volmer, Marc C. Minno, Maria Minno, Joel T. Fry
Cover of the book The American Counterfeit by Stephanie C. Haas, Mark Williams, Edward J. Cashin, Robert S. Davis, Arlene Fradkin, Mallory O'Connor, Jerald T. Milanich, Craig T. Sheldon Jr, Kent D. Perkins, Michael Bond, Burt Kornegay, Robert J. Malone, Stephanie Volmer, Marc C. Minno, Maria Minno, Joel T. Fry
Cover of the book The Klan Unmasked by Stephanie C. Haas, Mark Williams, Edward J. Cashin, Robert S. Davis, Arlene Fradkin, Mallory O'Connor, Jerald T. Milanich, Craig T. Sheldon Jr, Kent D. Perkins, Michael Bond, Burt Kornegay, Robert J. Malone, Stephanie Volmer, Marc C. Minno, Maria Minno, Joel T. Fry
Cover of the book Southern Women Playwrights by Stephanie C. Haas, Mark Williams, Edward J. Cashin, Robert S. Davis, Arlene Fradkin, Mallory O'Connor, Jerald T. Milanich, Craig T. Sheldon Jr, Kent D. Perkins, Michael Bond, Burt Kornegay, Robert J. Malone, Stephanie Volmer, Marc C. Minno, Maria Minno, Joel T. Fry
Cover of the book Victorian Domesticity by Stephanie C. Haas, Mark Williams, Edward J. Cashin, Robert S. Davis, Arlene Fradkin, Mallory O'Connor, Jerald T. Milanich, Craig T. Sheldon Jr, Kent D. Perkins, Michael Bond, Burt Kornegay, Robert J. Malone, Stephanie Volmer, Marc C. Minno, Maria Minno, Joel T. Fry
Cover of the book The Perfect Lion by Stephanie C. Haas, Mark Williams, Edward J. Cashin, Robert S. Davis, Arlene Fradkin, Mallory O'Connor, Jerald T. Milanich, Craig T. Sheldon Jr, Kent D. Perkins, Michael Bond, Burt Kornegay, Robert J. Malone, Stephanie Volmer, Marc C. Minno, Maria Minno, Joel T. Fry
Cover of the book John McKinley and the Antebellum Supreme Court by Stephanie C. Haas, Mark Williams, Edward J. Cashin, Robert S. Davis, Arlene Fradkin, Mallory O'Connor, Jerald T. Milanich, Craig T. Sheldon Jr, Kent D. Perkins, Michael Bond, Burt Kornegay, Robert J. Malone, Stephanie Volmer, Marc C. Minno, Maria Minno, Joel T. Fry
Cover of the book Theatre History Studies 2015, Vol. 34 by Stephanie C. Haas, Mark Williams, Edward J. Cashin, Robert S. Davis, Arlene Fradkin, Mallory O'Connor, Jerald T. Milanich, Craig T. Sheldon Jr, Kent D. Perkins, Michael Bond, Burt Kornegay, Robert J. Malone, Stephanie Volmer, Marc C. Minno, Maria Minno, Joel T. Fry
Cover of the book A Century of Controversy by Stephanie C. Haas, Mark Williams, Edward J. Cashin, Robert S. Davis, Arlene Fradkin, Mallory O'Connor, Jerald T. Milanich, Craig T. Sheldon Jr, Kent D. Perkins, Michael Bond, Burt Kornegay, Robert J. Malone, Stephanie Volmer, Marc C. Minno, Maria Minno, Joel T. Fry
Cover of the book Translating Modernism by Stephanie C. Haas, Mark Williams, Edward J. Cashin, Robert S. Davis, Arlene Fradkin, Mallory O'Connor, Jerald T. Milanich, Craig T. Sheldon Jr, Kent D. Perkins, Michael Bond, Burt Kornegay, Robert J. Malone, Stephanie Volmer, Marc C. Minno, Maria Minno, Joel T. Fry
Cover of the book Schools in the Landscape by Stephanie C. Haas, Mark Williams, Edward J. Cashin, Robert S. Davis, Arlene Fradkin, Mallory O'Connor, Jerald T. Milanich, Craig T. Sheldon Jr, Kent D. Perkins, Michael Bond, Burt Kornegay, Robert J. Malone, Stephanie Volmer, Marc C. Minno, Maria Minno, Joel T. Fry
Cover of the book Correction of Drift by Stephanie C. Haas, Mark Williams, Edward J. Cashin, Robert S. Davis, Arlene Fradkin, Mallory O'Connor, Jerald T. Milanich, Craig T. Sheldon Jr, Kent D. Perkins, Michael Bond, Burt Kornegay, Robert J. Malone, Stephanie Volmer, Marc C. Minno, Maria Minno, Joel T. Fry
Cover of the book 1777 by Stephanie C. Haas, Mark Williams, Edward J. Cashin, Robert S. Davis, Arlene Fradkin, Mallory O'Connor, Jerald T. Milanich, Craig T. Sheldon Jr, Kent D. Perkins, Michael Bond, Burt Kornegay, Robert J. Malone, Stephanie Volmer, Marc C. Minno, Maria Minno, Joel T. Fry
We use our own "cookies" and third party cookies to improve services and to see statistical information. By using this website, you agree to our Privacy Policy