Feminist International Relations

'Exquisite Corpse'

Nonfiction, Social & Cultural Studies, Political Science, International, International Relations
Cover of the book Feminist International Relations by Marysia Zalewski, Taylor and Francis
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Author: Marysia Zalewski ISBN: 9781136692277
Publisher: Taylor and Francis Publication: October 28, 2013
Imprint: Routledge Language: English
Author: Marysia Zalewski
ISBN: 9781136692277
Publisher: Taylor and Francis
Publication: October 28, 2013
Imprint: Routledge
Language: English

This book offers a contemporary intervention in the field of feminism/international relations. Partly inspired by Surrealism, the book is written in a series of vignettes and draws on a variety of approaches inviting readers in to inhabit the text. It is a politically engaged book, though one which does not direct readers in conventional ways, visiting global politics, the classroom, poetry, institutional violence, cartoons, feminist violence, films, violent white men, angry black women, blood and ‘English’ puddings. Working imaginatively with epistemology and methodology, and embedding theory throughout the text, the book can be considered part of the current genre of scholarship which attends to complexity, uncertainty, disruption, affect and the creative possibilities of randomness.

Feminist International Relations: Exquisite Corpse will be of interest to students and scholars of International Politics, Gender and Feminist Studies, International Studies, Political Theory, Globalization Studies and further afield.

View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart

This book offers a contemporary intervention in the field of feminism/international relations. Partly inspired by Surrealism, the book is written in a series of vignettes and draws on a variety of approaches inviting readers in to inhabit the text. It is a politically engaged book, though one which does not direct readers in conventional ways, visiting global politics, the classroom, poetry, institutional violence, cartoons, feminist violence, films, violent white men, angry black women, blood and ‘English’ puddings. Working imaginatively with epistemology and methodology, and embedding theory throughout the text, the book can be considered part of the current genre of scholarship which attends to complexity, uncertainty, disruption, affect and the creative possibilities of randomness.

Feminist International Relations: Exquisite Corpse will be of interest to students and scholars of International Politics, Gender and Feminist Studies, International Studies, Political Theory, Globalization Studies and further afield.

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