Exiles

Fiction & Literature, Psychological, Classics, Literary
Cover of the book Exiles by James Joyce, GOLDEN CLASSIC PRESS
View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart
Author: James Joyce ISBN: 1230002914138
Publisher: GOLDEN CLASSIC PRESS Publication: November 24, 2018
Imprint: Language: English
Author: James Joyce
ISBN: 1230002914138
Publisher: GOLDEN CLASSIC PRESS
Publication: November 24, 2018
Imprint:
Language: English

*** Original and Unabridged Content. Made available by GOLDEN CLASSIC PRESS***

Synopsis:
The only extant play by the great Irish novelist, Exiles is of interest both for its autobiographical content and for formal reasons. In the characters and their circumstances details of Joyce's life are evident. The main character, Richard Rowan, the moody, tormented writer who is at odds with both his wife and the parochial Irish society around him, is clearly a portrait of Joyce himself. The character of Rowan's wife, Bertha, is certainly influenced by Joyce's lover and later wife, Nora Barnacle, with whom he left Ireland and lived a seminomadic existence in Zurich, Rome, Trieste, and Paris. As in real life, the play depicts the couple with a young son and, like Joyce, Rowan has returned to Ireland because of his mother's illness and subsequent death.
One can also detect hints of Joyce's interest in Nietzsche in Rowan's flawed pursuit of total individual freedom despite the stifling morals of Irish society. Though wrestling with guilt over his own infidelities, Rowan insists on this personal liberty, not only for himself but for his wife as well, who he knows is tempted by his cousin's amorous overtures.
Joyce's decision to express himself in the form of a play no doubt reflects his long admiration of the Norwegian playwright Henrik Ibsen. In the tense dialogue, the largely interior drama focused on the characters' relationships, the undertones of guilt, and the longing for freedom one sees similarities with Ibsen's themes. Also the spare, understated writing style - so unlike Joyce's exuberant, playful, and experimental use of language in his novels - shows the influence of Ibsen's "naked drama" (as Joyce described Ibsen's style in a published review). Above all, Joyce emulated the Scandinavian master in making the central issue of his drama the conflict between individual freedom and a demanding, judgmental society. In Exiles the protagonists struggle with the choice between living in defiance of the rigid conventions of Irish society or exile from their homeland.
Though lesser-known, Exiles, written after Portrait of the Artist as a Young Man and while Joyce was working on Ulysses, provides interesting insights into the development of the creative gifts of a literary genius.

View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart

*** Original and Unabridged Content. Made available by GOLDEN CLASSIC PRESS***

Synopsis:
The only extant play by the great Irish novelist, Exiles is of interest both for its autobiographical content and for formal reasons. In the characters and their circumstances details of Joyce's life are evident. The main character, Richard Rowan, the moody, tormented writer who is at odds with both his wife and the parochial Irish society around him, is clearly a portrait of Joyce himself. The character of Rowan's wife, Bertha, is certainly influenced by Joyce's lover and later wife, Nora Barnacle, with whom he left Ireland and lived a seminomadic existence in Zurich, Rome, Trieste, and Paris. As in real life, the play depicts the couple with a young son and, like Joyce, Rowan has returned to Ireland because of his mother's illness and subsequent death.
One can also detect hints of Joyce's interest in Nietzsche in Rowan's flawed pursuit of total individual freedom despite the stifling morals of Irish society. Though wrestling with guilt over his own infidelities, Rowan insists on this personal liberty, not only for himself but for his wife as well, who he knows is tempted by his cousin's amorous overtures.
Joyce's decision to express himself in the form of a play no doubt reflects his long admiration of the Norwegian playwright Henrik Ibsen. In the tense dialogue, the largely interior drama focused on the characters' relationships, the undertones of guilt, and the longing for freedom one sees similarities with Ibsen's themes. Also the spare, understated writing style - so unlike Joyce's exuberant, playful, and experimental use of language in his novels - shows the influence of Ibsen's "naked drama" (as Joyce described Ibsen's style in a published review). Above all, Joyce emulated the Scandinavian master in making the central issue of his drama the conflict between individual freedom and a demanding, judgmental society. In Exiles the protagonists struggle with the choice between living in defiance of the rigid conventions of Irish society or exile from their homeland.
Though lesser-known, Exiles, written after Portrait of the Artist as a Young Man and while Joyce was working on Ulysses, provides interesting insights into the development of the creative gifts of a literary genius.

More books from GOLDEN CLASSIC PRESS

Cover of the book The Real Thing and Other Tales by James Joyce
Cover of the book Jonas on a Farm in Winter by James Joyce
Cover of the book Sixteen Poems by James Joyce
Cover of the book The Stillwater Tragedy by James Joyce
Cover of the book Ballads by James Joyce
Cover of the book Under the Deodars by James Joyce
Cover of the book The Patagonia by James Joyce
Cover of the book The Lovely Lady by James Joyce
Cover of the book My Miscellanies by James Joyce
Cover of the book Manuel Pereira; Or, The Sovereign Rule of South Carolina by James Joyce
Cover of the book Dodo: A Detail of the Day by James Joyce
Cover of the book The Piazza Tales by James Joyce
Cover of the book The Scouts of Stonewall: The Story of the Great Valley Campaign by James Joyce
Cover of the book A Cousin's Conspiracy; Or, A Boy's Struggle for an Inheritance by James Joyce
Cover of the book Hero and Leander and Other Poems by James Joyce
We use our own "cookies" and third party cookies to improve services and to see statistical information. By using this website, you agree to our Privacy Policy