Excursions in the Mountains of Ronda and Granada with Characteristic Sketches of the Inhabitants of Southern Spain (Complete)

Nonfiction, Religion & Spirituality, New Age, History, Fiction & Literature
Cover of the book Excursions in the Mountains of Ronda and Granada with Characteristic Sketches of the Inhabitants of Southern Spain (Complete) by Charles Rochfort Scott, Library of Alexandria
View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart
Author: Charles Rochfort Scott ISBN: 9781465585806
Publisher: Library of Alexandria Publication: March 8, 2015
Imprint: Language: English
Author: Charles Rochfort Scott
ISBN: 9781465585806
Publisher: Library of Alexandria
Publication: March 8, 2015
Imprint:
Language: English
SPAIN! region of romance! of snow-capped mountains, dark forests, and crystal streams!—Land of the olive and the vine—the perfumed orange and bright pomegranate!—Country of portly priests, fierce bandits, and dark-eyed donzellas—the lively castañet and gay Fandango! And thou, fair Bœtica! favoured province of a favoured clime, whose purple grape tempted Hercules to arrest his course—whose waving corn-fields and embowelled treasures have ever since excited the cupidity of the various ambitious nations that have in turn disputed the empire of the world! Is it indeed true that ye are “now chiefly interesting to the traveller for the monuments which a foreign and odious race of conquerors have left behind them?” Yes, you might proudly answer, we admit such is the case. Spain is chiefly interesting to the stranger on account of the monuments left by her turbaned conquerors; but she is so simply, because, in no other country, are they to be seen in so perfect a state; because, in no other part of the world subjected to Moslem sway, did the arts ever reach to such perfection. But, whilst Spain lays especial claim to the attention of the stranger on account of the relics of the Moors that are strewed over her surface, she possesses, in common with other countries of Southern Europe, the usual attractions that excite the interest of travellers. Can she not boast of owning monuments of the demi-god Hercules, and other conquerors of the most remote antiquity? Are not her shores studded with ruins of the Phœnicians, Carthagenians, and Romans? Has she not noble works of art of yet more recent times than her Moorish palaces to boast of? May she not proudly point to the splendid gothic edifices raised since her release from the Mussulman yoke? to the incomparable paintings of the divine Murillo? to the statuary of a Cano? Is not the Spanish peninsula one of the most beautiful as well as richest countries in the world?
View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart
SPAIN! region of romance! of snow-capped mountains, dark forests, and crystal streams!—Land of the olive and the vine—the perfumed orange and bright pomegranate!—Country of portly priests, fierce bandits, and dark-eyed donzellas—the lively castañet and gay Fandango! And thou, fair Bœtica! favoured province of a favoured clime, whose purple grape tempted Hercules to arrest his course—whose waving corn-fields and embowelled treasures have ever since excited the cupidity of the various ambitious nations that have in turn disputed the empire of the world! Is it indeed true that ye are “now chiefly interesting to the traveller for the monuments which a foreign and odious race of conquerors have left behind them?” Yes, you might proudly answer, we admit such is the case. Spain is chiefly interesting to the stranger on account of the monuments left by her turbaned conquerors; but she is so simply, because, in no other country, are they to be seen in so perfect a state; because, in no other part of the world subjected to Moslem sway, did the arts ever reach to such perfection. But, whilst Spain lays especial claim to the attention of the stranger on account of the relics of the Moors that are strewed over her surface, she possesses, in common with other countries of Southern Europe, the usual attractions that excite the interest of travellers. Can she not boast of owning monuments of the demi-god Hercules, and other conquerors of the most remote antiquity? Are not her shores studded with ruins of the Phœnicians, Carthagenians, and Romans? Has she not noble works of art of yet more recent times than her Moorish palaces to boast of? May she not proudly point to the splendid gothic edifices raised since her release from the Mussulman yoke? to the incomparable paintings of the divine Murillo? to the statuary of a Cano? Is not the Spanish peninsula one of the most beautiful as well as richest countries in the world?

More books from Library of Alexandria

Cover of the book Aftermath: Part Second of "A Kentucky Cardinal" by Charles Rochfort Scott
Cover of the book Wilhelm Tell by Charles Rochfort Scott
Cover of the book The War of Women (Complete) by Charles Rochfort Scott
Cover of the book Stories to Read or Tell from Fairy Tales and Folklore by Charles Rochfort Scott
Cover of the book Surgical Instruments in Greek and Roman Times by Charles Rochfort Scott
Cover of the book Der Waldbrand by Charles Rochfort Scott
Cover of the book Kidnapped at the Altar: The Romance of that Saucy Jessie Bain by Charles Rochfort Scott
Cover of the book Les Historiettes De Tallemant Des Réaux (Complete) Mémoires Pour Servir à L'Histoire Du XVIIe Siècle by Charles Rochfort Scott
Cover of the book Pahlavi Texts IV Contents of the Nasks by Charles Rochfort Scott
Cover of the book The True Benjamin Franklin by Charles Rochfort Scott
Cover of the book Gnostic John The Baptizer: Selections from The Mandæan John-Book, TogeTher with Studies on John and Christian Origins, The Slavonic Josephus' Account of John and Jesus and The Fourth Gospel Proem by Charles Rochfort Scott
Cover of the book The Refutation of All Heresies (Complete) by Charles Rochfort Scott
Cover of the book Uncle Vanya by Charles Rochfort Scott
Cover of the book The Notorious Mrs. Ebbsmith by Charles Rochfort Scott
Cover of the book Lessons in Music Form: A Manual of Analysis of All the Structural Factors and Designs Employed in Musical Composition by Charles Rochfort Scott
We use our own "cookies" and third party cookies to improve services and to see statistical information. By using this website, you agree to our Privacy Policy