Author: | Jessica Findley | ISBN: | 9781502276308 |
Publisher: | Icon-m | Publication: | November 25, 2014 |
Imprint: | Language: | English |
Author: | Jessica Findley |
ISBN: | 9781502276308 |
Publisher: | Icon-m |
Publication: | November 25, 2014 |
Imprint: | |
Language: | English |
Egon Schiele was important Austrian painter of the 20th century, and one an earliest exponent of Expressionism. With his mark graphic style, figural distortion, and bold defiance of conventional norms of beauty, Schiele was leading Expressionist. His dominating theme was the human body, which he depicts in truly extraordinary forms. Likewise in his paintings of children he emphasized their awkward bodies and their earnest eyes, and yet, the impact of these works on the viewer is very strong because the depictions are forthright and direct. Even his marvelous towns landscapes frequently lack perspective dimensions and let the windows of the houses appear like blind eyes; they are expressions of the artist's mood more than topographical depictions; they are images of fall—with isolated, dry trees standing in the cold wind. Schiele's symbolic works, such as "Death and the Maiden," "The Hermits," or even such seemingly happy themes as "Mother with Two Children," show the same penetrating insight for which his portraits have become famous. His many self-portraits are proof of his continuous struggle with what he considered the soul of the arts: the depiction of that truth which lies below the surface. His extraordinary ability to form the three dimensional body through dominating contour lines, his choice of very strong and forthright colors, the frequently ambiguous spaces, and his extraordinary sensitivity, which transforms even a seemingly quick drawing into a complete work of art, have allowed Schiele's fame to continue to grow.
Egon Schiele was important Austrian painter of the 20th century, and one an earliest exponent of Expressionism. With his mark graphic style, figural distortion, and bold defiance of conventional norms of beauty, Schiele was leading Expressionist. His dominating theme was the human body, which he depicts in truly extraordinary forms. Likewise in his paintings of children he emphasized their awkward bodies and their earnest eyes, and yet, the impact of these works on the viewer is very strong because the depictions are forthright and direct. Even his marvelous towns landscapes frequently lack perspective dimensions and let the windows of the houses appear like blind eyes; they are expressions of the artist's mood more than topographical depictions; they are images of fall—with isolated, dry trees standing in the cold wind. Schiele's symbolic works, such as "Death and the Maiden," "The Hermits," or even such seemingly happy themes as "Mother with Two Children," show the same penetrating insight for which his portraits have become famous. His many self-portraits are proof of his continuous struggle with what he considered the soul of the arts: the depiction of that truth which lies below the surface. His extraordinary ability to form the three dimensional body through dominating contour lines, his choice of very strong and forthright colors, the frequently ambiguous spaces, and his extraordinary sensitivity, which transforms even a seemingly quick drawing into a complete work of art, have allowed Schiele's fame to continue to grow.