Edgar Heap of Birds

Nonfiction, Art & Architecture, General Art, Art History, American, Individual Artist, Artists, Architects & Photographers
Cover of the book Edgar Heap of Birds by Bill Anthes, Duke University Press
View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart
Author: Bill Anthes ISBN: 9780822374992
Publisher: Duke University Press Publication: August 27, 2015
Imprint: Duke University Press Books Language: English
Author: Bill Anthes
ISBN: 9780822374992
Publisher: Duke University Press
Publication: August 27, 2015
Imprint: Duke University Press Books
Language: English

For over three decades, contemporary Native American artist Hock E Aye Vi Edgar Heap of Birds has pursued a disciplined practice in multiple media, having shown his paintings, drawings, prints, and text-based conceptual art throughout numerous national and international galleries and public spaces. In the first book-length study of this important artist, Bill Anthes analyzes Heap of Birds's art and politics in relation to the international contemporary art scene, Native American history, and settler colonialism. Foregrounding how Heap of Birds roots his practice in Cheyenne spirituality and an indigenous way of seeing and being in the world, Anthes describes how Heap of Birds likens his art to "sharp rocks"—weapons delivering trenchant critiques of the loss of land, life, and autonomy endured by Native Americans. Whether appearing as interventions in public spaces or in a gallery, Heap of Birds's carefully honed artworks pose questions about time, modernity, identity, power, and the meaning and value of contemporary art in a global culture. 

 

View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart

For over three decades, contemporary Native American artist Hock E Aye Vi Edgar Heap of Birds has pursued a disciplined practice in multiple media, having shown his paintings, drawings, prints, and text-based conceptual art throughout numerous national and international galleries and public spaces. In the first book-length study of this important artist, Bill Anthes analyzes Heap of Birds's art and politics in relation to the international contemporary art scene, Native American history, and settler colonialism. Foregrounding how Heap of Birds roots his practice in Cheyenne spirituality and an indigenous way of seeing and being in the world, Anthes describes how Heap of Birds likens his art to "sharp rocks"—weapons delivering trenchant critiques of the loss of land, life, and autonomy endured by Native Americans. Whether appearing as interventions in public spaces or in a gallery, Heap of Birds's carefully honed artworks pose questions about time, modernity, identity, power, and the meaning and value of contemporary art in a global culture. 

 

More books from Duke University Press

Cover of the book Class and the Color Line by Bill Anthes
Cover of the book Vampires, Mummies and Liberals by Bill Anthes
Cover of the book Border as Method, or, the Multiplication of Labor by Bill Anthes
Cover of the book Orgasmology by Bill Anthes
Cover of the book Duress by Bill Anthes
Cover of the book Meaning in Motion by Bill Anthes
Cover of the book Beautiful at All Seasons by Bill Anthes
Cover of the book Citizens, Experts, and the Environment by Bill Anthes
Cover of the book Biblical Porn by Bill Anthes
Cover of the book Images at War by Bill Anthes
Cover of the book Exiled Home by Bill Anthes
Cover of the book Writing in Dante's Cult of Truth by Bill Anthes
Cover of the book An Improper Profession by Bill Anthes
Cover of the book The Hauerwas Reader by Bill Anthes
Cover of the book Millenarian Vision, Capitalist Reality by Bill Anthes
We use our own "cookies" and third party cookies to improve services and to see statistical information. By using this website, you agree to our Privacy Policy