Echo's Voice

The Theatres of Sarraute, Duras, Cixous and Renaude

Nonfiction, Reference & Language, Foreign Languages, Language Arts
Cover of the book Echo's Voice by Mary Noonan, Taylor and Francis
View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart
Author: Mary Noonan ISBN: 9781351568920
Publisher: Taylor and Francis Publication: July 5, 2017
Imprint: Routledge Language: English
Author: Mary Noonan
ISBN: 9781351568920
Publisher: Taylor and Francis
Publication: July 5, 2017
Imprint: Routledge
Language: English

Helene Cixous (1937-), distinguished not least as a playwright herself, told Le Monde in 1977 that she no longer went to the theatre: it presented women only as reflections of men, used for their visual effect. The theatre she wanted would stress the auditory, giving voice to ways of being that had previously been silenced. She was by no means alone in this. Cixous's plays, along with those of Nathalie Sarraute (1900-99), Marguerite Duras (1914-96), and Noelle Renaude (1949-), among others, have proved potent in drawing participants into a dynamic 'space of the voice'. If, as psychoanalysis suggests, voice represents a transitional condition between body and language, such plays may draw their audiences in to understandings previously never spoken. In this ground-breaking study, Noonan explores the rich possibilities of this new audio-vocal form of theatre, and what it can reveal of the auditory self.

View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart

Helene Cixous (1937-), distinguished not least as a playwright herself, told Le Monde in 1977 that she no longer went to the theatre: it presented women only as reflections of men, used for their visual effect. The theatre she wanted would stress the auditory, giving voice to ways of being that had previously been silenced. She was by no means alone in this. Cixous's plays, along with those of Nathalie Sarraute (1900-99), Marguerite Duras (1914-96), and Noelle Renaude (1949-), among others, have proved potent in drawing participants into a dynamic 'space of the voice'. If, as psychoanalysis suggests, voice represents a transitional condition between body and language, such plays may draw their audiences in to understandings previously never spoken. In this ground-breaking study, Noonan explores the rich possibilities of this new audio-vocal form of theatre, and what it can reveal of the auditory self.

More books from Taylor and Francis

Cover of the book The Renaissance Utopia by Mary Noonan
Cover of the book Chopsticks and Gambling by Mary Noonan
Cover of the book Famine Early Warning Systems by Mary Noonan
Cover of the book A Guide to the Criminal Appeal Act 1995 by Mary Noonan
Cover of the book The Prevention of Suicide in Prison by Mary Noonan
Cover of the book Regulating Technology by Mary Noonan
Cover of the book Religious Minority Students in Higher Education by Mary Noonan
Cover of the book Generation by Mary Noonan
Cover of the book Europeanization and the Southern Periphery by Mary Noonan
Cover of the book Dostoevsky and the Epileptic Mode of Being by Mary Noonan
Cover of the book Reading Jewish Religious Texts by Mary Noonan
Cover of the book Buddhist Modernities by Mary Noonan
Cover of the book From Id to Intersubjectivity by Mary Noonan
Cover of the book Subjectivity by Mary Noonan
Cover of the book Suicidal Behaviour by Mary Noonan
We use our own "cookies" and third party cookies to improve services and to see statistical information. By using this website, you agree to our Privacy Policy