Dreams of Lovers and Lies of Poets

Poetry, Knowledge and Desire in the "Roman De La Rose"

Nonfiction, Reference & Language, Foreign Languages, Language Arts
Cover of the book Dreams of Lovers and Lies of Poets by Sylvia Huot, Taylor and Francis
View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart
Author: Sylvia Huot ISBN: 9781351569194
Publisher: Taylor and Francis Publication: July 5, 2017
Imprint: Routledge Language: English
Author: Sylvia Huot
ISBN: 9781351569194
Publisher: Taylor and Francis
Publication: July 5, 2017
Imprint: Routledge
Language: English

The Roman de la Rose explicitly offers an 'art of love', while also repeatedly asserting that the experience of love is impossible to put into words. An examination of the intertextual density of the Rose , with its citations and adaptations of a range of Latin authors, shows that the discourse of bodily desire, pleasure, and trauma emerges indirectly from the juxtaposition and conflation of sources. Huot's new book focuses on Guillaume de Lorris's use of the Ovidian corpus, and on Jean de Meun's dazzling orchestration of allusions to a wider range of Latin writers: principally Ovid, Boethius, and Virgil, but also including John of Salisbury and Alain de Lille. In both parts of the Rose , poetic allegory is a language that can express the unspeakable and the ineffable.

View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart

The Roman de la Rose explicitly offers an 'art of love', while also repeatedly asserting that the experience of love is impossible to put into words. An examination of the intertextual density of the Rose , with its citations and adaptations of a range of Latin authors, shows that the discourse of bodily desire, pleasure, and trauma emerges indirectly from the juxtaposition and conflation of sources. Huot's new book focuses on Guillaume de Lorris's use of the Ovidian corpus, and on Jean de Meun's dazzling orchestration of allusions to a wider range of Latin writers: principally Ovid, Boethius, and Virgil, but also including John of Salisbury and Alain de Lille. In both parts of the Rose , poetic allegory is a language that can express the unspeakable and the ineffable.

More books from Taylor and Francis

Cover of the book British Comedy Cinema by Sylvia Huot
Cover of the book Introductory Sketch of the Bantu Languages by Sylvia Huot
Cover of the book Mixed Method Design by Sylvia Huot
Cover of the book Context and Learning by Sylvia Huot
Cover of the book Social Relations and Social Exclusion by Sylvia Huot
Cover of the book New Perspectives on Sport and 'Deviance' by Sylvia Huot
Cover of the book The Mechanical Triumphs of the Ancient Egyptians by Sylvia Huot
Cover of the book The Discourse of Musicology by Sylvia Huot
Cover of the book Women and Urban Life in Eighteenth-Century England by Sylvia Huot
Cover of the book Critical Essays on Roman Literature by Sylvia Huot
Cover of the book A Preface to Morals by Sylvia Huot
Cover of the book Studying British Cultures by Sylvia Huot
Cover of the book Children by Sylvia Huot
Cover of the book The Quest for the Invisible by Sylvia Huot
Cover of the book Environmental Protection and the Social Responsibility of Firms by Sylvia Huot
We use our own "cookies" and third party cookies to improve services and to see statistical information. By using this website, you agree to our Privacy Policy