Dramatists and their Manuscripts in the Age of Shakespeare, Jonson, Middleton and Heywood

Authorship, Authority and the Playhouse

Fiction & Literature, Literary Theory & Criticism, Drama History & Criticism, British
Cover of the book Dramatists and their Manuscripts in the Age of Shakespeare, Jonson, Middleton and Heywood by Grace Ioppolo, Taylor and Francis
View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart
Author: Grace Ioppolo ISBN: 9781134300051
Publisher: Taylor and Francis Publication: April 15, 2013
Imprint: Routledge Language: English
Author: Grace Ioppolo
ISBN: 9781134300051
Publisher: Taylor and Francis
Publication: April 15, 2013
Imprint: Routledge
Language: English

This book presents new evidence about the ways in which English Renaissance dramatists such as William Shakespeare, Ben Jonson, Thomas Heywood, John Fletcher and Thomas Middleton composed their plays and the degree to which they participated in the dissemination of their texts to theatrical audiences. Grace Ioppolo argues that the path of the transmission of the text was not linear, from author to censor to playhouse to audience - as has been universally argued by scholars - but circular.

Extant dramatic manuscripts, theatre records and accounts, as well as authorial contracts, memoirs, receipts and other archival evidence, are used to prove that the text returned to the author at various stages, including during rehearsal and after performance. This monograph provides much new information and case studies, and is a fascinating contribution to the fields of Shakespeare studies, English Renaissance drama studies, manuscript studies, textual study and bibliography and theatre history.

View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart

This book presents new evidence about the ways in which English Renaissance dramatists such as William Shakespeare, Ben Jonson, Thomas Heywood, John Fletcher and Thomas Middleton composed their plays and the degree to which they participated in the dissemination of their texts to theatrical audiences. Grace Ioppolo argues that the path of the transmission of the text was not linear, from author to censor to playhouse to audience - as has been universally argued by scholars - but circular.

Extant dramatic manuscripts, theatre records and accounts, as well as authorial contracts, memoirs, receipts and other archival evidence, are used to prove that the text returned to the author at various stages, including during rehearsal and after performance. This monograph provides much new information and case studies, and is a fascinating contribution to the fields of Shakespeare studies, English Renaissance drama studies, manuscript studies, textual study and bibliography and theatre history.

More books from Taylor and Francis

Cover of the book Nation, Society and Culture in North Africa by Grace Ioppolo
Cover of the book Helping Parents of Diagnosed, Distressed, and Different Children by Grace Ioppolo
Cover of the book Routledge International Handbook of Cosmopolitanism Studies by Grace Ioppolo
Cover of the book The High School Theatre Teacher's Survival Guide by Grace Ioppolo
Cover of the book Dictionary of Real People and Places in Fiction by Grace Ioppolo
Cover of the book Comedy by Grace Ioppolo
Cover of the book Outdoor Learning through the Seasons by Grace Ioppolo
Cover of the book Opposing Censorship in Public Schools by Grace Ioppolo
Cover of the book Family Identity by Grace Ioppolo
Cover of the book Adolescents' Health by Grace Ioppolo
Cover of the book Gothic Peregrinations by Grace Ioppolo
Cover of the book The Networked Young Citizen by Grace Ioppolo
Cover of the book X-Radiography of Textiles, Dress and Related Objects by Grace Ioppolo
Cover of the book Trends in Policing by Grace Ioppolo
Cover of the book The Last of an Age by Grace Ioppolo
We use our own "cookies" and third party cookies to improve services and to see statistical information. By using this website, you agree to our Privacy Policy