Dostoevsky by Zweig

Biography & Memoir, Artists, Architects & Photographers, Nonfiction, Art & Architecture, Literary
Cover of the book Dostoevsky by Zweig by Stefan Zweig, Plunkett Lake Press
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Author: Stefan Zweig ISBN: 1230000036993
Publisher: Plunkett Lake Press Publication: December 6, 2012
Imprint: Language: English
Author: Stefan Zweig
ISBN: 1230000036993
Publisher: Plunkett Lake Press
Publication: December 6, 2012
Imprint:
Language: English

Dostoevsky by Zweig by Stefan Zweig (translated from the German by Eden and Cedar Paul; 43,000 words)

This is the third essay of Stefan Zweig’s Three Masters: Balzac, Dickens, Dostoevsky, written in the early 20th century. Part biography, part literary criticism, part cultural history, the essay offers a window onto how a Central European regarded the Russian master, who died in 1881, the year Zweig was born.

Dostoevsky’s genius, in Zweig’s view, owed a debt to his illness, as Tolstoy’s did to his radiant health. Illness “enabled Dostoevsky to soar upward into a sphere of such concentrated feeling as is rarely experienced by normal men; it permitted him to penetrate into the underworld of the emotions, into the submerged regions of the psyche.”

This essay is one of the best examples of Zweig’s psychologically-informed literary criticism.

View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart

Dostoevsky by Zweig by Stefan Zweig (translated from the German by Eden and Cedar Paul; 43,000 words)

This is the third essay of Stefan Zweig’s Three Masters: Balzac, Dickens, Dostoevsky, written in the early 20th century. Part biography, part literary criticism, part cultural history, the essay offers a window onto how a Central European regarded the Russian master, who died in 1881, the year Zweig was born.

Dostoevsky’s genius, in Zweig’s view, owed a debt to his illness, as Tolstoy’s did to his radiant health. Illness “enabled Dostoevsky to soar upward into a sphere of such concentrated feeling as is rarely experienced by normal men; it permitted him to penetrate into the underworld of the emotions, into the submerged regions of the psyche.”

This essay is one of the best examples of Zweig’s psychologically-informed literary criticism.

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