Documents of the 1913 Armory Show: The Electrifying Moment of Modern Art's American Debut

Nonfiction, Art & Architecture, General Art, Art History
Cover of the book Documents of the 1913 Armory Show: The Electrifying Moment of Modern Art's American Debut by Kenyon Cox, Arthur B. Davies, Élie Faure, Hol Art Books
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Author: Kenyon Cox, Arthur B. Davies, Élie Faure ISBN: 9780982325735
Publisher: Hol Art Books Publication: September 13, 2009
Imprint: Language: English
Author: Kenyon Cox, Arthur B. Davies, Élie Faure
ISBN: 9780982325735
Publisher: Hol Art Books
Publication: September 13, 2009
Imprint:
Language: English
Collected here are the original publications from one of the most important exhibitions in the history of American art -- the 1913 Armory Show. Opening on February 17, 1913, in New York and traveling to Chicago and Boston, the Armory Show was meant to be a simple exhibition of the new abstract and cubist art coming out of Europe. What it ultimately became was a sprawling showcase of some of the most ground-breaking (and many said subversive) art America had ever seen. Sensational to crowds, controversial among critics, and inspirational for artists, the Armory Show radically changed the face of art in America. Here you'll find excerpts from Paul Gauguin's provocative Tahitian journal, Élie Faure's enthralling essay on Cézanne, a range of impassioned views both for and against the new art, and president Theodore Roosevelt's famous essay, "A Layman's Views of an Art Exhibition". Long out of print, these writings (which were first published in pamphlets and sold at the exhibition itself) reintroduce readers to artists and ideas as powerful today as they were nearly a century ago.
View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart
Collected here are the original publications from one of the most important exhibitions in the history of American art -- the 1913 Armory Show. Opening on February 17, 1913, in New York and traveling to Chicago and Boston, the Armory Show was meant to be a simple exhibition of the new abstract and cubist art coming out of Europe. What it ultimately became was a sprawling showcase of some of the most ground-breaking (and many said subversive) art America had ever seen. Sensational to crowds, controversial among critics, and inspirational for artists, the Armory Show radically changed the face of art in America. Here you'll find excerpts from Paul Gauguin's provocative Tahitian journal, Élie Faure's enthralling essay on Cézanne, a range of impassioned views both for and against the new art, and president Theodore Roosevelt's famous essay, "A Layman's Views of an Art Exhibition". Long out of print, these writings (which were first published in pamphlets and sold at the exhibition itself) reintroduce readers to artists and ideas as powerful today as they were nearly a century ago.

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