Death, Men, and Modernism

Trauma and Narrative in British Fiction from Hardy to Woolf

Fiction & Literature, Literary Theory & Criticism, British
Cover of the book Death, Men, and Modernism by Ariela Freedman, Taylor and Francis
View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart
Author: Ariela Freedman ISBN: 9781135383794
Publisher: Taylor and Francis Publication: April 8, 2014
Imprint: Routledge Language: English
Author: Ariela Freedman
ISBN: 9781135383794
Publisher: Taylor and Francis
Publication: April 8, 2014
Imprint: Routledge
Language: English

Death, Men and Modernism argues that the figure of the dead man becomes a locus of attention and a symptom of crisis in British writing of the early to mid-twentieth century. While Victorian writers used dying women to dramatize aesthetic, structural, and historical concerns, modernist novelists turned to the figure of the dying man to exemplify concerns about both masculinity and modernity. Along with their representations of death, these novelists developed new narrative techniques to make the trauma they depicted palpable. Contrary to modernist genealogies, the emergence of the figure of the dead man in texts as early as Thomas Hardy's Jude the Obscure suggests that World War I intensified-but did not cause-these anxieties. This book elaborates a nodal point which links death, masculinity, and modernity long before the events of World War I.

View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart

Death, Men and Modernism argues that the figure of the dead man becomes a locus of attention and a symptom of crisis in British writing of the early to mid-twentieth century. While Victorian writers used dying women to dramatize aesthetic, structural, and historical concerns, modernist novelists turned to the figure of the dying man to exemplify concerns about both masculinity and modernity. Along with their representations of death, these novelists developed new narrative techniques to make the trauma they depicted palpable. Contrary to modernist genealogies, the emergence of the figure of the dead man in texts as early as Thomas Hardy's Jude the Obscure suggests that World War I intensified-but did not cause-these anxieties. This book elaborates a nodal point which links death, masculinity, and modernity long before the events of World War I.

More books from Taylor and Francis

Cover of the book Good and Evil by Ariela Freedman
Cover of the book Re-shaping Cities by Ariela Freedman
Cover of the book Untold Millions by Ariela Freedman
Cover of the book Re-examining Psychology by Ariela Freedman
Cover of the book Heterodox Views of Finance and Cycles in the Spanish Economy by Ariela Freedman
Cover of the book The United States, 1763-2001 by Ariela Freedman
Cover of the book Making Histories by Ariela Freedman
Cover of the book Human Rights by Ariela Freedman
Cover of the book Reading Games in the Greek Novel by Ariela Freedman
Cover of the book Consumer Psychology in a Social Media World by Ariela Freedman
Cover of the book Essays in Economics: v. 2: Theories, Facts and Policies by Ariela Freedman
Cover of the book Statistics for Psychologists by Ariela Freedman
Cover of the book Urban Movements in a Globalising World by Ariela Freedman
Cover of the book English Teaching in the Secondary School 2/e by Ariela Freedman
Cover of the book The Age of Commodity by Ariela Freedman
We use our own "cookies" and third party cookies to improve services and to see statistical information. By using this website, you agree to our Privacy Policy