Dance was her Religion

The Spiritual Choreography of Isadora Duncan, Ruth St. Denis and Martha Graham

Nonfiction, Entertainment, Performing Arts, Dance, Modern
Cover of the book Dance was her Religion by Janet Lynn Roseman. Ph.D., Hohm Press
View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart
Author: Janet Lynn Roseman. Ph.D. ISBN: 9781942493112
Publisher: Hohm Press Publication: January 5, 2010
Imprint: Hohm Press Language: English
Author: Janet Lynn Roseman. Ph.D.
ISBN: 9781942493112
Publisher: Hohm Press
Publication: January 5, 2010
Imprint: Hohm Press
Language: English
Three dancers who changed the face of Modern Dance and liberated dancers from ballet’s rigidity to glorify the human body as a scared vessel: Isadora Duncan, 1877-1927, Ruth St. Denis, 1879-1968, and Martha Graham, 1894-1991. From youth, each recognized an organic urge for ecstatic human expression. This book explores their pioneering approaches to spiritual choreography and reveals unkown aspects of their lives and work: * each insisted upon her vision of dance as prayer * each was a mystic * each had a profound, personal devotion to the Virgin Mary * each choreographed work in her honor * each portrayed the Madonna in dance * each felt herself to be a priestess of dance * each worked to establish a school, where dance was the basis for an enlightened life The book contains quotes about and interviews with these women, including rare materials, restoring the understanding of dance as religious expression and placing these women in their rightful places among spiritual philosophers.
View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart
Three dancers who changed the face of Modern Dance and liberated dancers from ballet’s rigidity to glorify the human body as a scared vessel: Isadora Duncan, 1877-1927, Ruth St. Denis, 1879-1968, and Martha Graham, 1894-1991. From youth, each recognized an organic urge for ecstatic human expression. This book explores their pioneering approaches to spiritual choreography and reveals unkown aspects of their lives and work: * each insisted upon her vision of dance as prayer * each was a mystic * each had a profound, personal devotion to the Virgin Mary * each choreographed work in her honor * each portrayed the Madonna in dance * each felt herself to be a priestess of dance * each worked to establish a school, where dance was the basis for an enlightened life The book contains quotes about and interviews with these women, including rare materials, restoring the understanding of dance as religious expression and placing these women in their rightful places among spiritual philosophers.

More books from Hohm Press

Cover of the book The Baul Tradition by Janet Lynn Roseman. Ph.D.
Cover of the book Conscious Parenting Workbook by Janet Lynn Roseman. Ph.D.
Cover of the book RETURN TO THE MOTHER ~ A Lover’s Handbook by Janet Lynn Roseman. Ph.D.
Cover of the book Parenting Through Illness by Janet Lynn Roseman. Ph.D.
Cover of the book The Making of a Yoga Master by Janet Lynn Roseman. Ph.D.
Cover of the book This Heavenly Wine by Janet Lynn Roseman. Ph.D.
Cover of the book Crazy As We Are by Janet Lynn Roseman. Ph.D.
Cover of the book You Don't Know Anything...! by Janet Lynn Roseman. Ph.D.
Cover of the book Holy Madness by Janet Lynn Roseman. Ph.D.
Cover of the book To Touch Is To live by Janet Lynn Roseman. Ph.D.
Cover of the book No Child In My Life by Janet Lynn Roseman. Ph.D.
Cover of the book Zen & Karma by Janet Lynn Roseman. Ph.D.
Cover of the book CONFIDENT UNDER PRESSURE by Janet Lynn Roseman. Ph.D.
Cover of the book Directing The Power of Conscious Feelings by Janet Lynn Roseman. Ph.D.
Cover of the book Eye To Form Is Only Love by Janet Lynn Roseman. Ph.D.
We use our own "cookies" and third party cookies to improve services and to see statistical information. By using this website, you agree to our Privacy Policy