D-Passage

The Digital Way

Nonfiction, Entertainment, Film, History & Criticism, Social & Cultural Studies, Social Science, Gender Studies, Feminism & Feminist Theory, Art & Architecture, General Art
Cover of the book D-Passage by Minh-ha T. Trinh, Duke University Press
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Author: Minh-ha T. Trinh ISBN: 9780822377320
Publisher: Duke University Press Publication: September 20, 2013
Imprint: Duke University Press Books Language: English
Author: Minh-ha T. Trinh
ISBN: 9780822377320
Publisher: Duke University Press
Publication: September 20, 2013
Imprint: Duke University Press Books
Language: English

D-Passage is a unique book by the world-renowned filmmaker, artist, and critical theorist Trinh T. Minh-ha. Taking as grounding forces her feature film Night Passage and installation L'Autre marche (The Other Walk), both co-created with Jean-Paul Bourdier, she discusses the impact of new technology on cinema culture and explores its effects on creative practice. Less a medium than a "way," the digital is here featured in its mobile, transformative passages. Trinh's reflections shed light on several of her major themes: temporality; transitions; transcultural encounters; ways of seeing and knowing; and the implications of the media used, the artistic practices engaged in, and the representations created. In D-Passage, form and structure, rhythm and movement, and language and imagery are inseparable. The book integrates essays, artistic statements, in-depth conversations, the script of Night Passage, movie stills, photos, and sketches.

View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart

D-Passage is a unique book by the world-renowned filmmaker, artist, and critical theorist Trinh T. Minh-ha. Taking as grounding forces her feature film Night Passage and installation L'Autre marche (The Other Walk), both co-created with Jean-Paul Bourdier, she discusses the impact of new technology on cinema culture and explores its effects on creative practice. Less a medium than a "way," the digital is here featured in its mobile, transformative passages. Trinh's reflections shed light on several of her major themes: temporality; transitions; transcultural encounters; ways of seeing and knowing; and the implications of the media used, the artistic practices engaged in, and the representations created. In D-Passage, form and structure, rhythm and movement, and language and imagery are inseparable. The book integrates essays, artistic statements, in-depth conversations, the script of Night Passage, movie stills, photos, and sketches.

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