Cutting Along the Color Line

Black Barbers and Barber Shops in America

Nonfiction, Social & Cultural Studies, Social Science, Cultural Studies, African-American Studies, History, Americas, United States, 20th Century
Cover of the book Cutting Along the Color Line by Quincy T. Mills, University of Pennsylvania Press, Inc.
View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart
Author: Quincy T. Mills ISBN: 9780812208658
Publisher: University of Pennsylvania Press, Inc. Publication: October 9, 2013
Imprint: University of Pennsylvania Press Language: English
Author: Quincy T. Mills
ISBN: 9780812208658
Publisher: University of Pennsylvania Press, Inc.
Publication: October 9, 2013
Imprint: University of Pennsylvania Press
Language: English

Today, black-owned barber shops play a central role in African American public life. The intimacy of commercial grooming encourages both confidentiality and camaraderie, which make the barber shop an important gathering place for African American men to talk freely. But for many years preceding and even after the Civil War, black barbers endured a measure of social stigma for perpetuating inequality: though the profession offered economic mobility to black entrepreneurs, black barbers were obliged by custom to serve an exclusively white clientele. Quincy T. Mills traces the lineage from these nineteenth-century barbers to the bustling enterprises of today, demonstrating that the livelihood offered by the service economy was crucial to the development of a black commercial sphere and the barber shop as a democratic social space.

Cutting Along the Color Line chronicles the cultural history of black barber shops as businesses and civic institutions. Through several generations of barbers, Mills examines the transition from slavery to freedom in the nineteenth century, the early twentieth-century expansion of black consumerism, and the challenges of professionalization, licensing laws, and competition from white barbers. He finds that the profession played a significant though complicated role in twentieth-century racial politics: while the services of shaving and grooming were instrumental in the creation of socially acceptable black masculinity, barbering permitted the financial independence to maintain public spaces that fostered civil rights politics. This sweeping, engaging history of an iconic cultural establishment shows that black entrepreneurship was intimately linked to the struggle for equality.

View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart

Today, black-owned barber shops play a central role in African American public life. The intimacy of commercial grooming encourages both confidentiality and camaraderie, which make the barber shop an important gathering place for African American men to talk freely. But for many years preceding and even after the Civil War, black barbers endured a measure of social stigma for perpetuating inequality: though the profession offered economic mobility to black entrepreneurs, black barbers were obliged by custom to serve an exclusively white clientele. Quincy T. Mills traces the lineage from these nineteenth-century barbers to the bustling enterprises of today, demonstrating that the livelihood offered by the service economy was crucial to the development of a black commercial sphere and the barber shop as a democratic social space.

Cutting Along the Color Line chronicles the cultural history of black barber shops as businesses and civic institutions. Through several generations of barbers, Mills examines the transition from slavery to freedom in the nineteenth century, the early twentieth-century expansion of black consumerism, and the challenges of professionalization, licensing laws, and competition from white barbers. He finds that the profession played a significant though complicated role in twentieth-century racial politics: while the services of shaving and grooming were instrumental in the creation of socially acceptable black masculinity, barbering permitted the financial independence to maintain public spaces that fostered civil rights politics. This sweeping, engaging history of an iconic cultural establishment shows that black entrepreneurship was intimately linked to the struggle for equality.

More books from University of Pennsylvania Press, Inc.

Cover of the book Nietzsche in the Nineteenth Century by Quincy T. Mills
Cover of the book Military Cultures in Peace and Stability Operations by Quincy T. Mills
Cover of the book The Pennsylvania Railroad, Volume 1 by Quincy T. Mills
Cover of the book In Darkest Alaska by Quincy T. Mills
Cover of the book Dreiser's Russian Diary by Quincy T. Mills
Cover of the book The Sovereign Citizen by Quincy T. Mills
Cover of the book Design After Decline by Quincy T. Mills
Cover of the book The Head in Edward Nugent's Hand by Quincy T. Mills
Cover of the book Against Self-Reliance by Quincy T. Mills
Cover of the book European Civil Society and Human Rights Advocacy by Quincy T. Mills
Cover of the book The Great War and American Foreign Policy, 1914-24 by Quincy T. Mills
Cover of the book Women as Unseen Characters by Quincy T. Mills
Cover of the book Nightclub City by Quincy T. Mills
Cover of the book The Demon of the Continent by Quincy T. Mills
Cover of the book The Sex Lives of Saints by Quincy T. Mills
We use our own "cookies" and third party cookies to improve services and to see statistical information. By using this website, you agree to our Privacy Policy