Confessions of a Published Author: 47 Truths About What Can Go Right and Wrong When Selling Your Book to a Traditional Publisher

Writer Talk

Nonfiction, Reference & Language, Language Arts, Writing & Publishing, Editing & Proofreading, Authorship, Composition & Creative Writing
Cover of the book Confessions of a Published Author: 47 Truths About What Can Go Right and Wrong When Selling Your Book to a Traditional Publisher by Martina Sprague, Martina Sprague
View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart
Author: Martina Sprague ISBN: 9781507018231
Publisher: Martina Sprague Publication: December 30, 2014
Imprint: Language: English
Author: Martina Sprague
ISBN: 9781507018231
Publisher: Martina Sprague
Publication: December 30, 2014
Imprint:
Language: English

You are an unpublished writer with a long and impressive background in your field of expertise, and you’ve got an idea for a great book. You write a proposal, and send it off to a publisher who has stated a need for this type of book. It seems like a perfect match. Three weeks later you receive a rejection letter: “Thanks for your interest in us. Unfortunately, your idea doesn’t meet our current needs.” You are puzzled.

Or, you look through the advertisements in Writer’s Digest magazine, and find several publishing houses “now seeking new and established authors.” Having waited for an opportunity for years, you print the manuscript that has been gathering "dust" in your computer folder and rush it to the post office. Don’t! If it sounds too easy, it is.

Or, you just landed your first book contract with a legitimate publisher. Instant fame, right? Wrong!

Confessions of a Published Author: 47 Truths About What Can Go Right and Wrong When Selling Your Book to a Traditional Publisher, talks straight about the publishing experience, with focus on asking, “What if?”

What if you don’t want to write your manuscript in the recommended format? What if you have no credentials or can’t state your qualifications for writing this book? What if you don't like the critique you're getting? What if you can wallpaper your office with rejection slips? What if you want more than the standard 10 percent royalties?

A number of common issues are explored, such as what to include and what to leave out of your query letter; what matters and what doesn't, and what you must be careful with when signing the publishing agreement.
 

View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart

You are an unpublished writer with a long and impressive background in your field of expertise, and you’ve got an idea for a great book. You write a proposal, and send it off to a publisher who has stated a need for this type of book. It seems like a perfect match. Three weeks later you receive a rejection letter: “Thanks for your interest in us. Unfortunately, your idea doesn’t meet our current needs.” You are puzzled.

Or, you look through the advertisements in Writer’s Digest magazine, and find several publishing houses “now seeking new and established authors.” Having waited for an opportunity for years, you print the manuscript that has been gathering "dust" in your computer folder and rush it to the post office. Don’t! If it sounds too easy, it is.

Or, you just landed your first book contract with a legitimate publisher. Instant fame, right? Wrong!

Confessions of a Published Author: 47 Truths About What Can Go Right and Wrong When Selling Your Book to a Traditional Publisher, talks straight about the publishing experience, with focus on asking, “What if?”

What if you don’t want to write your manuscript in the recommended format? What if you have no credentials or can’t state your qualifications for writing this book? What if you don't like the critique you're getting? What if you can wallpaper your office with rejection slips? What if you want more than the standard 10 percent royalties?

A number of common issues are explored, such as what to include and what to leave out of your query letter; what matters and what doesn't, and what you must be careful with when signing the publishing agreement.
 

More books from Martina Sprague

Cover of the book America in World Wars I and II by Martina Sprague
Cover of the book Kickboxing: Stance, Footwork, And Basic Movement: From Initiation To Knockout by Martina Sprague
Cover of the book Leading with Cheese, Fish, and Carrots: The Propaganda of Team Leadership: How Leadership Euphemisms Demoralize and Destroy Teams by Martina Sprague
Cover of the book Kickboxing: The Front Kick, Roundhouse Kick, And Side Thrust Kick: From Initiation To Knockout by Martina Sprague
Cover of the book Knife Offense (Five Books in One) by Martina Sprague
Cover of the book Finishing the Fight by Martina Sprague
Cover of the book Patriotism, War, and Why We Fight by Martina Sprague
Cover of the book Controlling the Counterattack by Martina Sprague
Cover of the book Managing Failure by Martina Sprague
Cover of the book Chinese Swords: The Evolution and Use of the Jian and Dao by Martina Sprague
Cover of the book Science of Takedowns, Throws, and Grappling for Self-Defense by Martina Sprague
Cover of the book Machete, Kris, and Throwing Iron: Edged Weapons of Latin America, Indonesia, and Africa by Martina Sprague
Cover of the book 8 Ways to Benefit from Critique and Testing in the Martial Arts by Martina Sprague
Cover of the book 6 Tips for Communicating Effectively and Dealing with Behavioral Problems in the Martial Arts by Martina Sprague
Cover of the book Knife and Empty-Hand Defenses Compared by Martina Sprague
We use our own "cookies" and third party cookies to improve services and to see statistical information. By using this website, you agree to our Privacy Policy