Collective Trauma and the Psychology of Secrets in Transnational Film

Nonfiction, Health & Well Being, Psychology, Psychoanalysis, Entertainment, Performing Arts, Film, History & Criticism
Cover of the book Collective Trauma and the Psychology of Secrets in Transnational Film by Deborah Lynn Porter, Taylor and Francis
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Author: Deborah Lynn Porter ISBN: 9781351246040
Publisher: Taylor and Francis Publication: January 31, 2018
Imprint: Routledge Language: English
Author: Deborah Lynn Porter
ISBN: 9781351246040
Publisher: Taylor and Francis
Publication: January 31, 2018
Imprint: Routledge
Language: English

Collective Trauma and the Psychology of Secrets in Transnational Film advances a methodological line of inquiry based on a fresh insight into the ways in which cinematic meaning is generated and can be ascertained. Premised on a critical reading strategy informed by a metapsychology of secrets, the book features analyses of internationally acclaimed films—Guillermo del Torro’s Pan’s Labyrinth, Andrey Zvyagintsev’s The Return, Jee-woonKim’s A Tale of Two Sisters, and Alejandro Amenábar’s The Others. It demonstrates how a rethinking of the figure of the secret in national film yields a new vantage point for examining heretofore unrecognized connections between collective historical experience, cinematic production and a transnational aesthetic of concealment and hiding.

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Collective Trauma and the Psychology of Secrets in Transnational Film advances a methodological line of inquiry based on a fresh insight into the ways in which cinematic meaning is generated and can be ascertained. Premised on a critical reading strategy informed by a metapsychology of secrets, the book features analyses of internationally acclaimed films—Guillermo del Torro’s Pan’s Labyrinth, Andrey Zvyagintsev’s The Return, Jee-woonKim’s A Tale of Two Sisters, and Alejandro Amenábar’s The Others. It demonstrates how a rethinking of the figure of the secret in national film yields a new vantage point for examining heretofore unrecognized connections between collective historical experience, cinematic production and a transnational aesthetic of concealment and hiding.

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