Clairvoyant Visions and Dreams of Peace: The Art of Betty La Duke by Gloria Orenstein, Femspec Issue 16.1

Nonfiction, Social & Cultural Studies, Social Science, Gender Studies, Feminism & Feminist Theory
Cover of the book Clairvoyant Visions and Dreams of Peace: The Art of Betty La Duke by Gloria Orenstein, Femspec Issue 16.1 by Gloria Orenstein, Femspec Journal
View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart
Author: Gloria Orenstein ISBN: 9781311731241
Publisher: Femspec Journal Publication: November 19, 2015
Imprint: Smashwords Edition Language: English
Author: Gloria Orenstein
ISBN: 9781311731241
Publisher: Femspec Journal
Publication: November 19, 2015
Imprint: Smashwords Edition
Language: English

Exemplifying many of the concepts embedded in our issue’s focus on Great Age, Betty La Duke, now at eighty-two, has been making art that celebrates the life force in human, animal, and plant dwellers on our planet as she traveled the world “From the Bronx to Timbuktu” (her way of describing the arc of her journey) all of her adult life. During her artistic pilgrimages across the globe for the last six decades, she has visited many cultures and painted the lives of indigenous peoples as a cross- cultural celebration of life in all its diversity. Through her art, La Duke has honored the values she observed in her subjects’ working lives, their daily activities of nurturance and sustenance of the earth, their quests for a lasting peace despite the adversities they encountered, as well as their ceremonial reverence for the unseen forces of spiritual heritage and ancestry that have contributed to their peoples’ endurance throughout time. Her oeuvre has most recently been exhibited at The Rogue Valley International Airport. The permanent installation of twenty-six wood panels, each approximately 48” tall by 40” wide dominates over 100 feet of the wall. The exhibition is entitled Celebrating Local Farms and Farmworkers. These panels recognize a major component of Rogue Valley economy: agriculture. The workers are primarily from Mexico, both seasonal and permanent residents. We depend upon the labor of approximately one million farm workers in the US, mostly invisible to the public, for our food supply.

View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart

Exemplifying many of the concepts embedded in our issue’s focus on Great Age, Betty La Duke, now at eighty-two, has been making art that celebrates the life force in human, animal, and plant dwellers on our planet as she traveled the world “From the Bronx to Timbuktu” (her way of describing the arc of her journey) all of her adult life. During her artistic pilgrimages across the globe for the last six decades, she has visited many cultures and painted the lives of indigenous peoples as a cross- cultural celebration of life in all its diversity. Through her art, La Duke has honored the values she observed in her subjects’ working lives, their daily activities of nurturance and sustenance of the earth, their quests for a lasting peace despite the adversities they encountered, as well as their ceremonial reverence for the unseen forces of spiritual heritage and ancestry that have contributed to their peoples’ endurance throughout time. Her oeuvre has most recently been exhibited at The Rogue Valley International Airport. The permanent installation of twenty-six wood panels, each approximately 48” tall by 40” wide dominates over 100 feet of the wall. The exhibition is entitled Celebrating Local Farms and Farmworkers. These panels recognize a major component of Rogue Valley economy: agriculture. The workers are primarily from Mexico, both seasonal and permanent residents. We depend upon the labor of approximately one million farm workers in the US, mostly invisible to the public, for our food supply.

More books from Femspec Journal

Cover of the book Quiescent, Femspec Issue 6.2 by Gloria Orenstein
Cover of the book The Suncomers; Girls' SF by a 9 Year Old, circa 1961 Chapter 1, Femspec Issue 1.1 by Gloria Orenstein
Cover of the book Book and Film Reviews and Books Received, Femspec double issue v. 8 by Gloria Orenstein
Cover of the book Surrealist Women, Femspec Issue 1.2 by Gloria Orenstein
Cover of the book Memoirs of an Academic Career Femspec v. 8.1-2 by Gloria Orenstein
Cover of the book Femspec 16.1 The Great Age Issue Part 3: Introductions and Overview by Gloria Orenstein
Cover of the book WisCon 22 and the Secret Feminist Cabal, Femspec Issue 1.1 by Gloria Orenstein
Cover of the book Bluestockings Beware: Cultural Backlash and the Reconfiguration of the Witch in Popular Nineteenth-Century Literature. Femspec Issue 6.2, 2005 by Gloria Orenstein
Cover of the book Works of Jenny Wrenn, Femspec Issue 16.1 by Gloria Orenstein
Cover of the book "All That You Touch You Change": Utopian Desire and the Concept of Change in Octavia Butler's Parable of the Sower and Parable of the Talents by Patricia Melzer, Femspec Issue 3.2 by Gloria Orenstein
Cover of the book Why Is the Future So Young?: Gender and Age in Elizabeth Moon’s Remnant Population By Christy Tidwell Femspec v. 15 by Gloria Orenstein
Cover of the book Femspec 17.1 by Gloria Orenstein
Cover of the book Taking Out the Trash: Octavia E. Butler’s Wild Seed and the Feminist Voice in American SF, Femspec Issue 6.2 by Gloria Orenstein
Cover of the book Toward Utopia, Femspec Books by Gloria Orenstein
Cover of the book Lost Mothers: The “Othering” of Mothers on the TV Show Lost Femspec Issue 12.2, 2012 by Gloria Orenstein
We use our own "cookies" and third party cookies to improve services and to see statistical information. By using this website, you agree to our Privacy Policy