Cinema and Social Change in Germany and Austria

Nonfiction, Entertainment, Film, History & Criticism, Performing Arts, Social & Cultural Studies, Social Science, Cultural Studies, Popular Culture
Cover of the book Cinema and Social Change in Germany and Austria by , Wilfrid Laurier University Press
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Author: ISBN: 9781554581382
Publisher: Wilfrid Laurier University Press Publication: August 30, 2012
Imprint: Wilfrid Laurier University Press Language: English
Author:
ISBN: 9781554581382
Publisher: Wilfrid Laurier University Press
Publication: August 30, 2012
Imprint: Wilfrid Laurier University Press
Language: English

11

German Fascination for Jews in Oliver Hirschbiegel’s Ein ganz gewöhnlicher Jude

Myriam Léger

This chapter discusses Oliver Hirschbiegel’s film as the site both of an imagined contemporary struggle for German-Jewish identity and the construction of the spectator’s problematic involvement in it. As the Jewish protagonist unravels the powerful discourse of postwar German–Jewish relations in which he feels trapped, the chamber-drama style of the film as well as its cinematography mark the spectator as a fascinated and implicitly German observer, who gazes at the protagonist’s intimate engagement with his troubled self-image. This film comments on the existing cultural alienation between Germans and Jews that continues to shape this discourse, and perpetuates a German fascination for “things Jewish.”

View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart

11

German Fascination for Jews in Oliver Hirschbiegel’s Ein ganz gewöhnlicher Jude

Myriam Léger

This chapter discusses Oliver Hirschbiegel’s film as the site both of an imagined contemporary struggle for German-Jewish identity and the construction of the spectator’s problematic involvement in it. As the Jewish protagonist unravels the powerful discourse of postwar German–Jewish relations in which he feels trapped, the chamber-drama style of the film as well as its cinematography mark the spectator as a fascinated and implicitly German observer, who gazes at the protagonist’s intimate engagement with his troubled self-image. This film comments on the existing cultural alienation between Germans and Jews that continues to shape this discourse, and perpetuates a German fascination for “things Jewish.”

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