Charles Le Brun: 215 Colour Plates

Nonfiction, Art & Architecture, Art History, European, General Art
Cover of the book Charles Le Brun: 215 Colour Plates by Maria Peitcheva, Maria Peitcheva
View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart
Author: Maria Peitcheva ISBN: 9788892580848
Publisher: Maria Peitcheva Publication: March 25, 2016
Imprint: Language: English
Author: Maria Peitcheva
ISBN: 9788892580848
Publisher: Maria Peitcheva
Publication: March 25, 2016
Imprint:
Language: English

Charles Le Brun was a French painter and art theorist. Declared by Louis XIV "the greatest French artist of all time", he was a dominant figure in 17th-century French art and much influenced by Nicolas Poussin. Le Brun primarily worked for King Louis XIV, for whom he executed large altarpieces and battle pieces. His most important paintings are at Versailles. Le Brun was also a fine portraitist and an excellent draughtsman, but he was not fond of portrait or landscape painting, which he felt to be a mere exercise in developing technical prowess. What mattered was scholarly composition, whose ultimate goal was to nourish the spirit. The fundamental basis on which the director of the Academy based his art was unquestionably to make his paintings speak, through a series of symbols, costumes and gestures that allowed him to select for his composition the narrative elements that gave his works a particular depth. Nearly all his compositions have been reproduced by celebrated engravers.

View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart

Charles Le Brun was a French painter and art theorist. Declared by Louis XIV "the greatest French artist of all time", he was a dominant figure in 17th-century French art and much influenced by Nicolas Poussin. Le Brun primarily worked for King Louis XIV, for whom he executed large altarpieces and battle pieces. His most important paintings are at Versailles. Le Brun was also a fine portraitist and an excellent draughtsman, but he was not fond of portrait or landscape painting, which he felt to be a mere exercise in developing technical prowess. What mattered was scholarly composition, whose ultimate goal was to nourish the spirit. The fundamental basis on which the director of the Academy based his art was unquestionably to make his paintings speak, through a series of symbols, costumes and gestures that allowed him to select for his composition the narrative elements that gave his works a particular depth. Nearly all his compositions have been reproduced by celebrated engravers.

More books from Maria Peitcheva

Cover of the book Nathaniel Dance: Drawings Colour Plates by Maria Peitcheva
Cover of the book Francesco Guardi: 205 Colour Plates by Maria Peitcheva
Cover of the book Raphael: Drawings Colour Plates by Maria Peitcheva
Cover of the book Charles Le Brun:Drawings by Maria Peitcheva
Cover of the book Durer: Drawings Colour Plates by Maria Peitcheva
Cover of the book Rembrandt Drawings:Colour Plates by Maria Peitcheva
Cover of the book Guillaumin: 183 Colour Plates by Maria Peitcheva
Cover of the book Millet: 237 Colour Plates by Maria Peitcheva
Cover of the book Dante Rossetti: Drawings 113 Colour Plates by Maria Peitcheva
Cover of the book Paul Gauguin: 235 Plates by Maria Peitcheva
Cover of the book Millet: Drawings Colour Plates by Maria Peitcheva
Cover of the book Felicien Rops: Drawings 104 Colour Plates by Maria Peitcheva
Cover of the book Juan Gris: 190 Colour Plates by Maria Peitcheva
Cover of the book Zorn: Drawings 131 Colour Plates by Maria Peitcheva
Cover of the book Thomas Cole: 203 Colour Plates by Maria Peitcheva
We use our own "cookies" and third party cookies to improve services and to see statistical information. By using this website, you agree to our Privacy Policy