Caspar David Friedrich and the Subject of Landscape

Second Edition

Nonfiction, Art & Architecture, General Art, Individual Artist, Artists, Architects & Photographers
Cover of the book Caspar David Friedrich and the Subject of Landscape by Joseph Leo Koerner, Reaktion Books
View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart
Author: Joseph Leo Koerner ISBN: 9781861897503
Publisher: Reaktion Books Publication: November 15, 2009
Imprint: Reaktion Books Language: English
Author: Joseph Leo Koerner
ISBN: 9781861897503
Publisher: Reaktion Books
Publication: November 15, 2009
Imprint: Reaktion Books
Language: English

Caspar David Friedrich (1774–1840) is heralded as the greatest painter of the Romantic movement in Germany, and Europe’s first truly modern artist. His mysterious and melancholy landscapes, often peopled with lonely wanderers, are experiments in a radically subjective artistic perspective—one in which, as Freidrich wrote, the painter depicts not “what he sees before him, but what he sees within him.” This vulnerability of the individual when confronted with nature became one of the key tenets of the Romantic aesthetic.

            Now available in a compact, accessible format, this beautifully illustrated book is the most comprehensive account ever published in English of one of the most fascinating and influential nineteenth-century painters.

            “This is a model of interpretative art history, taking in a good deal of German Romantic philosophy, but founded always on the immediate experience of the picture. . . . It is rare to find a scholar so obviously in sympathy with his subject.”—Independent

View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart

Caspar David Friedrich (1774–1840) is heralded as the greatest painter of the Romantic movement in Germany, and Europe’s first truly modern artist. His mysterious and melancholy landscapes, often peopled with lonely wanderers, are experiments in a radically subjective artistic perspective—one in which, as Freidrich wrote, the painter depicts not “what he sees before him, but what he sees within him.” This vulnerability of the individual when confronted with nature became one of the key tenets of the Romantic aesthetic.

            Now available in a compact, accessible format, this beautifully illustrated book is the most comprehensive account ever published in English of one of the most fascinating and influential nineteenth-century painters.

            “This is a model of interpretative art history, taking in a good deal of German Romantic philosophy, but founded always on the immediate experience of the picture. . . . It is rare to find a scholar so obviously in sympathy with his subject.”—Independent

More books from Reaktion Books

Cover of the book Apple by Joseph Leo Koerner
Cover of the book Joseph Cornell's Vision of Spiritual Order by Joseph Leo Koerner
Cover of the book Suspended Animation by Joseph Leo Koerner
Cover of the book Rewriting Conceptual Art by Joseph Leo Koerner
Cover of the book Wine by Joseph Leo Koerner
Cover of the book The Global Economic Crisis by Joseph Leo Koerner
Cover of the book Tudoresque by Joseph Leo Koerner
Cover of the book Michelangelo and the Viewer in His Time by Joseph Leo Koerner
Cover of the book Walter Benjamin by Joseph Leo Koerner
Cover of the book The Story of Black by Joseph Leo Koerner
Cover of the book Stéphane Mallarmé by Joseph Leo Koerner
Cover of the book Cuba by Joseph Leo Koerner
Cover of the book Wood, Whiskey and Wine by Joseph Leo Koerner
Cover of the book The Shape of Craft  by Joseph Leo Koerner
Cover of the book Business as Usual by Joseph Leo Koerner
We use our own "cookies" and third party cookies to improve services and to see statistical information. By using this website, you agree to our Privacy Policy