Caryl Churchill's 'Top Girls' - feminism vs. culture

Nonfiction, Reference & Language, Study Aids, ESL, Foreign Languages
Cover of the book Caryl Churchill's 'Top Girls' - feminism vs. culture by Alisa Westermann, GRIN Publishing
View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart
Author: Alisa Westermann ISBN: 9783640935031
Publisher: GRIN Publishing Publication: June 9, 2011
Imprint: GRIN Publishing Language: English
Author: Alisa Westermann
ISBN: 9783640935031
Publisher: GRIN Publishing
Publication: June 9, 2011
Imprint: GRIN Publishing
Language: English

Seminar paper from the year 2010 in the subject English Language and Literature Studies - Culture and Applied Geography, grade: 1,7, University of Münster (Englisches Seminar), course: From Page to Stage, language: English, abstract: Caryl Churchill's play Top Girls, particularly its first act, centers on various women from history, fiction, art and mythology who gather in a restaurant to celebrate the promotion of Marlene, the protagonist of the play. Above all, this dinner scene is marked by a lack of understanding between the characters and the unability of each one to change into the others' perspective. The juxtaposition of the figures finally ends up in a collaps of the conversation and a monologisation of their dialogues. This lack of understanding is based on the different cultural backgrounds of each character. Everyone is part of a different society that is based on different norms and values which eliminates the possibility of a change of the character's perspective. The question, my term paper is based on, is how far feminist criticism is valid regarding the tension between culture and feminism. In this respect, it is necessary to examine the cultural backgrounds and the respective existence of a feminist's movement in the cultures of the characters. A valid feministic judgement on the characters can only be given when they are analysed in the light of their culture and afterwards opposed to each other. Therefore, the literature I took into account focuses on historical information of the characters' cultures, especially women's cultural history. Furthermore, I analysed literature on Caryl Churchill as well as women dramatists in Britain and the feministic movement. I examined how far each woman of the dinner scene can be valuated as a feminist or as having a feministic attitude and often, this feministic attitude is not a general characteristic but rather a characteristic which is connected to a certain domain of their culture. Hence, I extracted three areas in which this tension between the characters' cultures and their feministic attitude are surfaced: their relation to men,their family and domestic life and their working life. Yet, instead of examining each character in each category, I concentrated on those characters that stood out in their behaviour and opposed them to each other.

View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart

Seminar paper from the year 2010 in the subject English Language and Literature Studies - Culture and Applied Geography, grade: 1,7, University of Münster (Englisches Seminar), course: From Page to Stage, language: English, abstract: Caryl Churchill's play Top Girls, particularly its first act, centers on various women from history, fiction, art and mythology who gather in a restaurant to celebrate the promotion of Marlene, the protagonist of the play. Above all, this dinner scene is marked by a lack of understanding between the characters and the unability of each one to change into the others' perspective. The juxtaposition of the figures finally ends up in a collaps of the conversation and a monologisation of their dialogues. This lack of understanding is based on the different cultural backgrounds of each character. Everyone is part of a different society that is based on different norms and values which eliminates the possibility of a change of the character's perspective. The question, my term paper is based on, is how far feminist criticism is valid regarding the tension between culture and feminism. In this respect, it is necessary to examine the cultural backgrounds and the respective existence of a feminist's movement in the cultures of the characters. A valid feministic judgement on the characters can only be given when they are analysed in the light of their culture and afterwards opposed to each other. Therefore, the literature I took into account focuses on historical information of the characters' cultures, especially women's cultural history. Furthermore, I analysed literature on Caryl Churchill as well as women dramatists in Britain and the feministic movement. I examined how far each woman of the dinner scene can be valuated as a feminist or as having a feministic attitude and often, this feministic attitude is not a general characteristic but rather a characteristic which is connected to a certain domain of their culture. Hence, I extracted three areas in which this tension between the characters' cultures and their feministic attitude are surfaced: their relation to men,their family and domestic life and their working life. Yet, instead of examining each character in each category, I concentrated on those characters that stood out in their behaviour and opposed them to each other.

More books from GRIN Publishing

Cover of the book Angel... And Other Myths by Alisa Westermann
Cover of the book Supply Chain Management - A Critical Analysis by Alisa Westermann
Cover of the book Innovation in the context of 'Zotter Schokoladen-Manufaktur GmbH' by Alisa Westermann
Cover of the book Theory of learning styles and practical applications by Alisa Westermann
Cover of the book Case study: Pizza Hut, Inc. by Alisa Westermann
Cover of the book Social Deixis: The development of second person pronouns from Old English to the present by Alisa Westermann
Cover of the book Identities of the Dead in the New Testament by Alisa Westermann
Cover of the book John Stuart Mill - Should drugs be legalized? An essay concerning the libertarian thoughts of John Stuart Mill in 'On liberty' by Alisa Westermann
Cover of the book Why do Belgian consumers buy fair trade products... and why not? by Alisa Westermann
Cover of the book From welfare to well-being - Subjective dimensions of welfare by Alisa Westermann
Cover of the book James Joyce: The Situation of Women in 'Dubliners' in special View of 'Eveline' by Alisa Westermann
Cover of the book Challenges for monochronic individuals in polychronic cultures by Alisa Westermann
Cover of the book The representation of London in tourist guidebooks by Alisa Westermann
Cover of the book Using a Winogradsky Column to enrich microbes as they are by simulating various conditions and to predict Microcosm Biofilm Patterns using time lapse tracing and regression analysis by Alisa Westermann
Cover of the book Der Einfluss der Migranteneltern auf die Bildung by Alisa Westermann
We use our own "cookies" and third party cookies to improve services and to see statistical information. By using this website, you agree to our Privacy Policy